Parking (poem)

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Parking

I have this memory.
I am walking across a field
a squelching field
a field that would suck your wellingtons off
the wind is a wet dish cloth
slapping my face
cow pats are dotted like landmines.
I love the countryside
but I don’t love this countryside
with its barbed wire fences
its ragged ditches
its baleful cows.
In the far corner of the field
I come across the rusty shell
of an old Mercedes
abandoned by the farmer
after one last muddy trip to the market,
and I’ve been thinking lately
I should take some ideas I have
some long held, unexamined beliefs
and park them in the far corner of a field,
top of the list being
the irrational notion
that somehow
against all odds,
we would all continue
to live, forever.

The ever eloquent Brendan over at Desperate Poets aks us to write an elegy. This is one from the past , I think it has perhaps an elegaic tone

It previously appeared on dverse (the prompt was “metaphors”)

This poem originally appeared in Cyphers Magazine.

31 thoughts on “Parking (poem)

  1. rivrvlogr

    I can imagine the mind being a field littered with half-baked ideas, some of which are easier to swallow than the truth, so corralling them to keep them out of circulation definitely would be a good idea.

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  2. msjadeli

    This stuck out to me:
    “I love the countryside
    but I don’t love this countryside”
    Not sure exactly why. Because it won’t give you the answer you need but know can never be?

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  3. kim881

    I walked across that field, the one that would suck your wellingtons off, Jim, with cow pats dotted like landmines – in County Meath in Ireland over 38 years ago! It’s possible I left a few ideas parked there too. I feel heartache for the baleful cows in your poem, having to graze near a rusted Mercedes.

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  4. Beverly Crawford

    No doubt the Mercedes has tales to tell … and no one to listen since the cows have moooooved in. (Sorry, couldn’t resist!)

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  5. Steve Simpson

    A very pleasing darkness, Jim. I particularly like the recollection giving rise to the awareness of death, and the description of that recollection with all its symbolism. This is a wonderful interpretation of memento mori.

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  6. Sherry Marr

    “….that somehow we would continue to live forever….” Yes, that is maybe the biggest elegy of all. Wonderful, Jim.

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  7. brendan563

    How many stuttering shuddering trips to market before that farmer finally decided to give ole Gretchen a final rest: And how long do we repeat our threadbare fantastias before we park them in a desolate field and leave them behind? The farewell to them is this elegy. Nice work, Jim.

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  8. hedgewitch

    I was quite caught up in the narrative , especially the descriptive element here–the sense of being there in a natural setting made unnatural by man. No less a rape really than a strip mine or a factory–then you sprung the metaphor, and I am just gobsmacked by how you have invested every word of this poem towards its message in the close. Age will bring you up short in that junkyard of rusting ideas, and reality will make you see that some vehicles will never run again, and all we get from truth sometimes is that bitter ash we must accept.

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  9. coalblack

    Potent stuff here, indeed. It started for me with the baleful cows, then the abandoned Mercedes after one last muddy trip, and on to your gut punch of an ending. The idea of our own death is terrifying and foreign–after all, we have always been here, to ourselves. But one day will be the last and I find myself thinking of that more often as I age.

    –Shay

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  10. qbit

    “I love the countryside
    but I don’t love this countryside” – that’s great. And I like the image of parking our ideas off in the corner of a field like an old, rusty car.

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