Tag Archives: Paul McCartney

Neil Young and those “lorries rolling by”

Old man lying by the side of the road
With the lorries rolling by
Blue moon sinking from the weight of the load
And the buildings scrape the sky
Cold wind ripping down the alley at dawn
And the morning paper flies
Dead man lying by the side of the road
With the daylight in his eyes

When I first heard this song (“Don’t let it Bring you Down”), I thought : “What’s with the ‘lorries’ , Neil? I mean you’re a Canadian, living in California, should they not be ‘trucks’?”

A side note: The word ‘lorry’ is a word used in Britain and it comes from the verb “to lurry”, meaning “to pull or drag”.

On reflection:

Of course, if he used “trucks”, it wouldn’t scan, but he could have sang “big trucks rolling by”. However, as we all know, Neil is a poet and the answer lies in his ear, not for music but for the music in language.

Consider the letter ‘L’, it appears in every line of the verse: “old, lying/ lorries, rolling/blue, load/ buildings/ cold, alley/ flies/ lying/ daylight”.

Consider the letter ‘O’ as in assonance, look at its role in the first three lines: “old, road/ lorries, rolling/ moon, load”; its repetition in lines 5, 6, 7: “cold, down/ morning/road”.

Consider the inversion, how the “lor” in ” lorries” becomes the “rol” in “rolling”.

No, “trucks” would just not hack it.

Phew! Glad to get that out of my system, otherwise, after a few pints I might start regaling my wife and two daughters with these insights and have to watch them getting that “beam me up Scotty look in their eyes”.

Photo (by Marie Feeney): Neil and Paul McCartney at Desert Trip 2016.

Taking on Open Link over at dverse. (This is not a poem obviously, but it is about poetry so I hope it fits!)

What I’m Listening to ( Lucinda Williams Sing the Beatles)

I’m a big fan of Lucinda Williams but I have to admit when I saw the title of this album and read the song list, I had doubts. How would Lucinda’s world weary Louisiana drawl work on Beatles’ songs like “Can’t Buy Me Love”, “Let It Be”?

Well, the answer is that it mostly works well, particularly on the John Lennon tracks like “Don’t Let Me Down”, “Rain”, “Yer Blues” and “I’m So Tired”. The latter is, for me, the standout track. If you want “angst”, if you want “world weary’, look no further! I can still remember as a teenager, hearing the following quatrain for the first time and laughing out loud.

I’m so tired, I’m feeling so upset

Although I’m so tired, I’ll have another cigarette

And curse Sir Walter Raleigh

He was such a stupid get!

Note Lucinda’s drawl coming through on “Rawleigh”

For a somewhat pedantic discussion about the word “get”, see below.

A few words about the band, because Lucinda Williams always hires a good band. She’s got Doug Pettibone and Marc Ford on guitars, David Sutton on bass, Butch Norton on drums, Richard Causon on Hammond B3 organ and Siobhan Kennedy on backing vocals and they have studied the originals in detail. Check out Pettibone’s solo on “Something”, which is an almost note for note copy of the original and why change genius! And Butch Norton channels Ringo…serve the song, serve the song!

I can’t get enough of this album!

A Somewhat Pedantic Note On The word “get”

Some websites write it as “stupid git”, but the album liner notes show it as “stupid get” which obviously rhymes better but also it would be more likely that Lennon being from Liverpool would use the Irish (and also Scottish) pronunciation ‘get’ rather than ‘git’ which is more common in the south of England. By the way, Wiktionary suggests that ‘get’ is related to the word ‘beget’, whereas I think it is more likely that it comes from the gaelic word ‘geit’ meaning ‘fright’ or ‘terror’. The meaning has since morphed into meaning something close to ‘jerk’.

Anderson Cooper’s Hair

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Anderson Cooper’s Hair

 

There’s something comforting

about Anderson Cooper’s hair

its quietude

its insouciance

its unabashed whiteness

no Paul Manafort chocolate brown

no Clooney dusting of grey

no Pavarotti boot polish black

just plain white

lightly cropped

a hint of a comb over, maybe

but that’s ok

and it does not move

Hurricane Harvey

Hurricane Irma

blasts of hot air

from a Trump surrogate’s mouth

nothing moves Anderson Cooper’s hair;

to misquote Paul McCartney

and triple down on a preposition

in this ever changing world

in which we live in

there’s something

that’s comforting

about that.

Paul McCartney and Neil Young at Desert Trip

A few quotes from Neil:

“I tell you what….naw, I won’t tell you what”.

“Roger (Waters) is going to build a wall tomorrow night to make Mexico great again”.

Neil joined Paul McCartney on stage for “A Day in the Life”, “Give Peace a Chance” and “Why Don’t We Do It In The Road”. For me, this was the highlight of the weekend. McCartney has recorded with Stevie Wonder, Michael Jackson, Elvis Costello, Rihanna without ever getting close to the partnership he had with John Lennon and it occurred to me watching him with Neil Young that he was not only enjoying himself immensely but I got the sense that he was up there with someone who has a melodic and lyric talent in the same league as Lennon, but above all else, someone who has Lennon’s love of anarchy.

 

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The Piano Men:

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Another quote from Neil:

“We’ll play ‘Down by the River’ when we’re ready to play ‘Down by the River'”.

And he eventually did in a great set that included “Powderfinger”, “Out on the Weekend”, “Words”, “Human Highway” and of course “Rockin’ in the Free World”.

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All Photos by Marie Feeney

 

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“And the desert is an absence

the road an endless trance”

From “The Road” by The Mitchell Feeney Project.  Click here to check out our album, also available on iTunes (search for “The Mitchell Feeney Project”).

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