






Of Fish and War
In the city of Nha Trang, Vietnam
at the National Oceanographic Institute
among tanks cramped with
circling neurotic fish
(Hit the glass. Stop. Turn around)
there is a multi-colored specimen
whose toxin,
according to the description,
renders its victims
“unconspicuous or even dead”.
Conspicuous behind glass
further north
in the Hanoi War museum
lie the dog tags of dead American soldiers
to a man
young, buzzcut and hopeful.
This poem was written a number of years ago, after a visit to Vietnam. The news out of Ukraine this week, for some reason, made me think of that visit and what happens to a whole generation on either side of a conflict when leaders decide to go to war.
It appeared in Open Link weekend over at earthweal.
Now also in Open Link over at dverse
Photo taken outside The Hanoi War Museum
A post from the time before the time.
We got off the train from Machu Picchu at the Ollantaytambo station, walked up the station road to the town square and came upon this: Mother’s Day in Ollantaytambo. It went on all day – entertainment, raffles, prizes, politicians’ speeches. The ladies seemed to enjoy themselves, although they never clapped once.
Later that evening, we had dinner in the restaurant down at the station and walking home we witnessed this haiku-worthy scene.
Station Road
I
Two black dogs humping
a puzzled white terrier
on the station road.
II
Puzzled about what?
about the expectations
of the dog in front.
photo by Marie Feeney
Taking part in Open Link over at dverse.
Of Statues and Limitations
As we round Lee’s Circle in New Orleans
talk turns to statues
and the topless monument;
the shuttle bus driver tells us
that Robert E. Lee’s statue was removed
under the cover of darkness
by a crew dressed like ninjas,
to avoid recognition.
People woke up the next day
to find the statue had disappeared.
A photograph on Wikipedia
shows the statue being removed
in broad daylight by a crane;
reality is nearly always more prosaic.
She also tells us that she grew up in the neighbourhood;
as kids, they just called the monument,
“The Statue”, they did not know or care
who Robert E. Lee was.
In 1966, the IRA blew the statue of Horatio Nelson
off its pedestal on top of Nelson’s Pillar
in the middle of O’Connell Street, Dublin.
To my parents’ generation
Nelson’s Pillar was known simply as “The Pillar”.
(Dubliners are very fond of the definite article:
“How’s the head?”
“Are you still playing the soccer?”)
To them, The Pillar was a landmark
a place to meet your date
en route to one of the cinemas
on O’Connell Street to catch a film (2 syllables)
and perhaps a humid snog
in the back seat when the lights went out.
To the IRA it was a symbol of British Imperialism
of British oppression,
an insult to our patriot dead;
blah, blah, blah, boom!
The IRA was a particularly unsubtle organisation.
Is all this just facile juxtaposition,
chopped up prose
masquerading as a poem,
or is there a point?
Yes, yes and yes:
see what I think is
there are people who look up at statues
there are people who believe
statues are looking down on them
and there are people
who look straight ahead
and keep moving forward
into the future,
leaving the past
to its state of disrepair.
Top photo taken at the Takashi Murakami exhibition (The octopus eats its own leg) at the Vancouver Art Gallery.
Bottom Photo taken in Medellin, Colombia, statues by Fernando Botero.
Umbrage in Umbria
In which Diane Keaton
plays an American woman
recovering from the pain
of a recent divorce.
Sandra Oh will feature
as her quirky sidekick,
and smoldering local love interest
will be provided by
Xavier Bardem or Antonio Banderas –
they’re not Italian
but if you want “smoldering”
you’ve got to call in the Spanish.
We’ll need a Brit,
Maggie Smith, perhaps,
as a sage but ageing dowager
and the local priest must be wry and twinkling,
Morgan Freeman, I’m thinking,
an explanation will be needed
as to how he got there.
Richard Gere will appear
near the end,
as the ex-husband
rich and massively contrite
now that the younger woman has left him,
the philandering bastard.
And as for the umbrage
taken by whom
because of what
you’ll just have to wait for the movie.
The challenge from Lilian over at dverse is to write a poem about a place you have travelled to, well I’ve been to Umbria and this poem kind of plays around with that!
Machu Picchu
I
Backpacks
bucket lists
smart phones
selfie sticks
altitude pills
attitude pills,
sun hats
sun block
Lonely Planet Guidebook,
don’t drink the water
don’t eat the salad
no ice please
this is our tribe
this is our tribe.
II
The Incas long ago
left for the valley
to grow their quinoa,
wheat and corn
but we keep coming
to look for something
that may have been left behind;
we are a benign invader
a tad earnest maybe
mild-mannered to a fault
but hand us a weak wifi signal
and we go ape-shit.
There are those among us
who have already abandoned
the physical world –
I see them
sitting in restaurants
heads bowed and thumbs
working beneath the table
connecting by radio waves
to a digital stream
of consciousness and banality.
I am he as you are he
and we are a river of electrons.
Photos by Marie Feeney
This poem was originally published in The Galway Review.
Taking part in Open Link Night over at dverse
The Food on Air Canada Rouge
What’s worse than a summer deluge?
What’s worse than Christmas with Ebeneezer Scrooge?
What’s worse than a ride on a runaway luge?
the food on Air Canada Rouge.
What’s worse than a sequel to “In Bruges”?
What’s worse than a night in a crowded refuge?
(the air, loud with snores, the air a flatulent brew)
What’s worse than another night in the same refuge?
the food on Air Canada Rouge.
Air Canada Rouge is a no frills version of a no frills airline. Last year, I travelled with them from Barcelona to Toronto and it was a long nine hours – the on board entertainment system (download an app, sign on to on board Wi-Fi) didn’t work, legroom was minimal, service was begrudging, and as for the food, see above.
The prompt from Lisa over at dVerse is to write a poem on the subject of food, so I thought I would give this post another outing!
The Water Taxi Arrives (Caye Caulker Chronicles Take 2)
like Sherpas in search of an expedition
the backpackers tumble onto the dock
clutching Lonely Planet guidebooks
it’s nowhere near as lonely here
as their guidebooks promise
but it is part of the planet
they got that right
it is part of the planet.
(in the café below
Bob Marley is still jammin’
the locals talk of paradise lost
of Eve and apples bitten.)
This is a rewrite of a previous post.
…… a repeat, because of the day that’s in it…..
Holy Scripture
when asked to
pick a font
he replied:
baptismal.
Photo Of Baptistry, Pisa, Italy.
Free Associating in New Orleans
The waitress in the restaurant on Frenchmen Street
tells us that the rack of lamb changed her life;
that the flank steak with an ocean sauce of baby shrimps and clams
is to die for.
Surf and turf; America continues its love affair with protein.
The first cab driver is from Saudi
his mother is from Pakistan
he tells us that Pakistan
is a better place to party.
No surprises there.
The second cab driver is Egyptian.
We talk a little about Trump’s America
but mostly we talk about Mohammed Salah,
the Egyptian Messi
Egypt’s pride and joy,
who apparently is also a good person
gives back to his community
has sponsored seven weddings
in the village he comes from.
Now all of Egypt supports
Liverpool Football Club.
The third cab driver is Jordanian
The fourth cab driver is Algerian,
we commiserate, our national teams
did not qualify for the World Cup;
we talk about lack of money
pampered players, poor coaching.
Immigrants in cars talking soccer
We couldn’t be happier.
Later, in the early hours
waiting for my hangover
to make its way across town
to my hotel room
with its suitcase of regrets
I wonder what my taxi driver friends
think of it all…..
Mardi Gras
Fat Tuesday
Show me your tits
Christian rituals.
The challenge over at dVerse is to write a poem about Mardi Gras, or similar festivities and to perhaps use juxtaposition to present a contrasting view point or mood.
This is a poem from last year, which I re-worked after thinking about the challenge.
Caye Caulker Chronicles
1
skinny backpackers
tumble off the water taxi
clutching Lonely Planet guidebooks,
in the café below
Bob Marley’s still jammin’
the locals talk of Paradise spoilt
of Eve, Adam and apples bitten.
2
Out on the coral reef
tiny organisms
fret about climate change
and carbonic acid
(I fink the pH is dropping, I really do);
while over in San Pedro
on the Redneck Riviera
soccer moms mingle
with sun-damaged matrons
dedicated to the preservation
of floral print muumuus.
…participating in open link night over at dVerse (thanks Mish), check them out.
The Food on Air Canada Rouge
What’s worse than a summer deluge?
What’s worse than Christmas with Ebeneezer Scrooge?
What’s worse than a ride on a runaway luge?
the food on Air Canada Rouge.
What’s worse than a sequel to “In Bruges”?
What’s worse than a night in a crowded refuge?
(the air, loud with snores, toxic with flatulence)
What’s worse than another night in the same refuge?
the food on Air Canada Rouge.
Air Canada Rouge is a no frills version of a no frills airline. I just travelled with them from Barcelona to Toronto and it was a long nine hours – the on board entertainment system (download an app, sign on to on board Wi-Fi) didn’t work, legroom was minimal, service was begrudging, and as for the food, see above.
Holy Scripture
when asked to
pick a font
he replied:
baptismal.
Photo Of Baptistry, Pisa, Italy.
The nice people at The Galway Review have published two poems of mine (Machu Picchu, The Sun God) . You can check them out here
(I’m not sure about the photo, one of my daughters tells me that I’m out of focus like “that guy in ‘Deconstructing Harry'” and I should get rid of that “serious poet face”).
Of Statues and Limitations
As we round Lee’s Circle in New Orleans
talk turns to statues
and the topless monument;
the shuttle bus driver tells us
that Robert E. Lee’s statue was removed
under the cover of darkness
by a crew dressed like ninjas,
to avoid recognition.
People woke up the next day
to find the statue had disappeared.
A photograph on Wikipedia
shows the statue being removed
in broad daylight by a crane;
reality is nearly always more prosaic.
She also tells us that she grew up in the neighbourhood;
as kids, they just called the monument,
“The Statue”, they did not know or care
who Robert E. Lee was.
In 1966, the IRA blew the statue of Horatio Nelson
off its pedestal on top of Nelson’s Pillar
in the middle of O’Connell Street, Dublin.
To my parents’ generation
Nelson’s Pillar was known simply as “The Pillar”.
(Dubliners are very fond of the definite article:
“How’s the head?”
“Are you still playing the soccer?”)
To them, The Pillar was a landmark
a place to meet your date
en route to one of the cinemas
on O’Connell Street to catch a film (2 syllables)
and perhaps a humid snog
in the back seat when the lights went out.
To the IRA it was a symbol of British Imperialism
of British oppression,
an insult to our patriot dead;
blah, blah, blah, boom!
The IRA was a particularly unsubtle organisation.
Is all this just facile juxtaposition,
chopped up prose
masquerading as a poem,
or is there a point?
Yes, yes and yes:
see what I think is
there are people who look up at statues
there are people who believe
statues are looking down on them
and there are people
who look straight ahead
and keep moving forward
into the future,
leaving the past
to its state of disrepair.
Top photo taken at the Takashi Murakami exhibition (The octopus eats its own leg) at the Vancouver Art Gallery.
Bottom Photo taken in Medellin, Colombia, statues by Fernando Botero.
Free Associating in New Orleans
The waitress in the restaurant on Frenchmen Street
tells us that the rack of lamb changed her life;
that the flank steak with an ocean sauce of baby shrimps and clams
is to die for.
Surf and turf.
America continues its love affair with protein.
General Bonespur pulls out of the Iran deal.
The first cab driver is from Saudi
his mother is from Pakistan
he tells us that Pakistan
is a better place to party.
No surprises there.
The second cab driver is Egyptian.
We talk a little about Trump’s America
but mostly we talk about Mohammed Salah,
the Egyptian Messi
Egypt’s pride and joy
who is also a good person
gives back to his community
has sponsored seven weddings
in the village he comes from.
Now all of Egypt supports
Liverpool Football Club.
The third cab driver is Jordanian
The fourth cab driver is Algerian
we commiserate, our national teams
did not qualify for the World Cup;
we talk about lack of money
pampered players, poor coaching.
We couldn’t be happier.
Immigrants in cars talking soccer.
on Magazine Street
a sharp uptick in tweeness
a whiff of normal.
We got off the train from Machu Picchu at the Ollantaytambo station, walked up the station road to the town square and came upon this: Mother’s Day in Ollantaytambo. It went on all day – entertainment, raffles, prizes, politician’s speeches. The ladies seemed to enjoy themselves, although they never clapped once.
Later that evening, we had dinner in the restaurant down at the station and walking home we witnessed this haiku-worthy scene.
Station Road
I
Two black dogs humping
a puzzled white terrier
on the station road.
II
Puzzled about what?
about the expectations
of the dog in front.
photo by Marie Feeney
Nha Trang
At the National Oceanographic Institute,
among tanks cramped
with circling neurotic fish
(Hit the glass. Stop. Turn around)
there is a multi-coloured specimen
whose toxin,
the sign says,
renders its victims
“unconspicuous or even dead”.
Further north
in the Hanoi War museum
conspicuous beneath glass
lie the dog tags
of dead American soldiers –
to a man
young, buzzcut and hopeful.
Photo taken outside The Hanoi War Museum
This appeared some time ago, thought I’d give it an outing.
Las Vegas
tattooed junkie
frantic call box
all that glitters
raddled toupee
prime rib buffet
entertainers
not so prime
cadillac
fossil fool
hot spot
for the uncool
synthetic jewel
neutral desert
Everywhere,
the unbearable lightness
of beer.
That Bud’s
not for me.