The man who communicated with paintings
He liked to shout at Picasso
commiserate with Van Gogh
ruminate with Monet
joke with Michelangelo.
The Last Ruba’i
this is it, finally, the last ruba’i
it’s time to call it a day, say goodbye
but there is still time for another rhyme
yes, that’s right, you have guessed it, it’s ‘Dubai’.
The ruba’i challenge over at dVerse ends at the end of the month……two more before the end! It’s a verse form, I think, that is perhaps best suited to light verse!
Free Jazz 2
The saxophonist taps his foot
the trumpet player palms his mute
they sound like elephants mating
when they play free, when they play loose.
The drummer puts on his jazz face
eyes closed in ecstasy, lips pursed,
they dance on the edge of chaos
when they blow free, when they play loose.
So this another entry in response to the dVerse challenge to write a ruba’i or rubaiyat. For a description of the form , check out Frank Hubeny’s post here.
The two quatrains (which makes it a rubaiyat) have an AABA CCDC rhyming scheme, although I have avoided straight rhymes and relied on some sonic connection between the end words.
After a month of sonnets and now this, I’m getting a bit rhymed out. I’ve also been working on shoehorning another song lyric into sonnet form on the basis that sonnet means “little song”. It’s not working. I think it’s time to return to the relative chaos of free verse.
in the park off Railspur Alley
lion house hogo, dogs and trees
like a drunk around a lamp post
the bass player leans.
This is my first attempt at a ruba’i (dVerse prompt). I have used, as per the form structure, a AABA rhyme scheme, I have used half rhymes because they fit! The first three lines are iambic tetrameter, the last line is shorter because it sounded good to my ear that way.
If you want to learn all about the ruba’i and the rubaiyat Check out Frank Hubeny’s excellent post at dVerse.
This is a rewrite of a poem that was published in ” The Basil O’Flaherty” online magazine.