Eroica

 

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Our resident poet, Slim Volume, and I sit down once a week for a classical music appreciation session. As our guide, we are using a book called “The Vintage Guide to Classical Music”, by Jan Swafford. This is an excellent reference book. It contains explanations of various musical terms, essays on the significant classical composers and a “best of” list for each composer. This led me to what Jan Swafford describes as possibly the greatest of the nine Beethoven symphonies, Symphony No.3 .

The symphony was originally dedicated to Napolean Bonaparte but Beethoven changed the name to “Sinfonia Eroica” or “Heroic Symphony” when he became disillusioned with his hero.

The first movement clocks in at seventeen minutes and is described by Swafford as an “indefatigable outpouring of dramatic intensity”. At the end of the movement, I paused the recording. Slim was staring straight ahead in what appeared to be a catatonic state.

“So, Slim”, I said, “what did you think of the first movement?”

He blinked once like a dishevelled owl and replied: “It sounds to me like there’s this man wearing big boots and he’s stamping around a large dimly lit house. In the house are rooms where violinists and flautists are playing. The man with the big boots occasionally opens the door to one of these rooms, but quickly gets bored listening to the violinists and flautists. He signals this by slamming the door repeatedly.”

We obviously have some distance to travel.

 

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