No anagrams have been harmed in the making of this poem
when Loren
enrolled in Lawrence
she got a Rolex
a Rolodex
and a Grecian urn
from her uncle Lorne
a longshoreman
who lived by the shore.
No anagrams have been harmed in the making of this poem
when Loren
enrolled in Lawrence
she got a Rolex
a Rolodex
and a Grecian urn
from her uncle Lorne
a longshoreman
who lived by the shore.
Profuse
I was going to pass on ‘profuse’
too easy to rhyme
too open to abuse
no room for the obtuse
that was my excuse
then I felt the pressure
the tightening of the noose
my face turning puce
I thought “what’s the use,
yield to the Muse
yield to the Muse”.
This is one from back in the day of the Daily Prompt, the prompt was “profuse”.
Luminescence
The stars are out
luminescence rises
from the surface of the pond
I think of Tommy
Tommy Tumescent and the Hard-Ons
yes you could say
they were big in the fifties
yes you could say
they rose to stardom in the fifties
all pompadour and pointy toe
and to counter this puerile nonsense
I also think of iridescence
finesse
obsolescence.
This is one from the past, Taking part in Open Link Weekend over at earthweal
No anagrams have been harmed in the making of this poem
when Loren
enrolled in Lawrence
she got a Rolex
a Rolodex
and a Grecian urn
from her uncle Lorne
a longshoreman
who lived by the shore.
Porphyry
porphyry
por favor
perfidy
pertain
profumo
pas de fumer
profundo
profane
periphery
prophylactic
peristaltic
purloin
In the construction of the Basilica of the Sagrada Família in Barcelona , red porphyry from Iran, was used as a symbol of the blood of Christ, because of its red colour.
The theme over at dverse is “The music of alliteration, assonance and consonance”, this poem overdoes it a bit!!
Sedimentia
the
illogical
fear
that
one
is
settling
slowly
to
the
bottom
of
whatever
organisation
one
chooses
to
join.
photo: Hornby Island, B.C
Bi Words
libidinous
labile
bibliophile
Biloxi
bivalent
bifurcate
bilious
bivalve
bloviate.
Luminescence
The stars are out
luminescence rises
from the surface of the pond
I think of Tommy
Tommy Tumescent and the Hard-ons
yes you could say
they were big in the fifties
yes you could say
they rose to stardom in the fifties
all pompadour and pointy toe
and to counter this puerile nonsense
I also think of iridescence
finesse
obsolescence.
Inchoate
inchoate
inculcate
incarcerate
incubate
inundate
indoctrinate
inseminate
incarnate
incinerate
inoculate
inanimate
inhabit.
talisman
miasma
chalice
charisman
polisman
phallus.
Fabric
rubric
Rubicon
Kubla Khan
scabrous
lexicon
toucan
Aga Khan.
Following the Sound on Monday Morning
policy barn
Himmelfarb
discrimination
poverty barn
robocarb
contamination
parity barn
Julliard
Illumination
purity barn
hydrocarb
dissemination
For John D.
fecund, moribund, quincunx
fecund moribundity
moribund fecundity
rhizome, rissole, piss-hole in the snow
phenom, pheromone, genome
lissom, blossom, possum.
This poem is all about sound, association and perhaps, memory. The first three lines are an homage to the sound of ‘un’. The phrase -“fecund moribundity, moribund fecundity” – was uttered by my friend, John Damery (John D.) during a discussion about the music of Neil Diamond – his oeuvre, his place in the pantheon. This was some time ago but it has always stuck in my head, it has a brevity and clarity that could only have been brought on by the consumption of 5 or 6 pints and the ingestion of greasy chicken. After a long legal battle (not really) he has recently granted me permission to use it in a poem.
The fourth line is the workhorse of the poem, the engine, the poem’s midfield general. It inverts the ‘mo’ from the first 3 lines to create the ‘om’ that dominates the last two lines. it also introduces ‘iss’ which makes an appearance in the last line. As for “piss-hole in the snow”, I defy anyone to find a finer example of bathos . The fifth line is all about ‘om” but note the clever inversion back to ‘mo’ in ‘pheromone’.
The sixth and last line has a slick softness to it like blancmange. As promised the ‘iss’ from ‘rissole’ and ‘piss-hole’ makes an appearance before morphing into ‘oss’ and in a final stroke of nothing that remotely approaches genius, the transformation of ‘om’ into ‘um’.
Notes:
quincunx (a word that flirts with obscenity):
an arrangement of five objects with four at the corners of a square or rectangle and the fifth at its centre, used for the five on dice or playing cards, and in planting trees.
rhizome:
a continuously growing horizontal underground stem that puts out lateral shoots and adventitious roots at intervals.
Both words were used in an article in the Irish Times on the poetry of Seamus Heaney, sent to me by John D; ‘Cartesian dualism’ and ‘Binarism’ were also mentioned (and Jesus wept).
rissole:
a compressed mixture of meat and spices, coated in breadcrumbs and fried.
My mom used to make them, although I remember them as being more like a hamburger patty without the bun…thanks, mom!
Photo: English Bay, Vancouver, A-MAZE-ING LAUGHTER, by Yue Minjun.
I am participating at the open mic at Words and Feathers with my poem “Auto”.
This is unusual for two reasons:
Check it out plus the other good stuff at Words and Feathers.
For John D.
fecund, moribund, quincunx
fecund moribundity
moribund fecundity
rhizome, rissole, piss-hole in the snow
phenom, pheromone, genome
lissom, blossom, possum.
This poem is all about sound, association and perhaps, memory. The first three lines are an homage to the sound of ‘un’. The phrase -“fecund moribundity, moribund fecundity” – was uttered by my friend, John Damery (John D.) during a discussion about the music of Neil Diamond – his oeuvre, his place in the pantheon. This was some time ago but it has always stuck in my head, it has a brevity and clarity that could only have been brought on by the consumption of 5 or 6 pints and the ingestion of greasy chicken. After a long legal battle (not really) he has recently granted me permission to use it in a poem.
The fourth line is the workhorse of the poem, the engine, the poem’s midfield general. It inverts the ‘mo’ from the first 3 lines to create the ‘om’ that dominates the last two lines. it also introduces ‘iss’ which makes an appearance in the last line. As for “piss-hole in the snow”, I defy anyone to find a finer example of bathos . The fifth line is all about ‘om” but note the clever inversion back to ‘mo’ in ‘pheromone’.
The sixth and last line has a slick softness to it like blancmange. As promised the ‘iss’ from ‘rissole’ and ‘piss-hole’ makes an appearance before morphing into ‘oss’ and in a final stroke of nothing that remotely approaches genius, the transformation of ‘om’ into ‘um’.
Notes:
quincunx (a word that flirts with obscenity):
an arrangement of five objects with four at the corners of a square or rectangle and the fifth at its centre, used for the five on dice or playing cards, and in planting trees.
rhizome:
a continuously growing horizontal underground stem that puts out lateral shoots and adventitious roots at intervals.
Both words were used in an article in the Irish Times on the poetry of Seamus Heaney, sent to me by John D; ‘Cartesian dualism’ and ‘Binarism’ were also mentioned (and Jesus wept).
rissole:
a compressed mixture of meat and spices, coated in breadcrumbs and fried.
My mom used to make them, although I remember them as being more like a hamburger patty without the bun…thanks, mom!
Photo: English Bay, Vancouver, A-MAZE-ING LAUGHTER, by Yue Minjun.