Tag Archives: poetry

Dog in a Tartan Skirt (Edit)

 

Dog in a Tartan Skirt 

There’s a dog wearing a tartan skirt
outside the window of Starbuck’s;
a tartan skirt, a belt, and a knitted white sweater.
Its little dog legs are moving frantically
on the wet pavement,
while across the slick road
and the sodden green park
the ocean sits
like a slab of lead
having clearly decided
to take some time off,
no crashing on the shore today.
South of the border
America blunders around
trying to remember
where it parked
that big ass car
that everyone admired
and envied.
The people look to God
but God, once again,
is moving in mysterious ways;
I, for one, wish He would knock it off,
enough already with the mystery
could He not for once in His eternal life,
clarify something?
I mean, for fuck sake,
there’s a dog wearing a tartan skirt
outside the window of Starbuck’s.

Five Miles Outside of Austin (Rhymes and Tropes)

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Listening to alt country on Spotify I begin to wonder….

who are all these country boys
with their cowboy hats, pickup trucks and beards
staring clint-eyed into the mythical distance
listening for the call of who knows what
a phantom cattle drive, perhaps,
anything at all to git them
back on the road again;
and who are all these country girls
left behind or waiting
and why the hell do they care
about these feckless drifters
who love their whiskey
as much as they dread commitment
and why does all this happen in Texas?

rhymes and tropes, folks
rhymes and tropes

and slowly through
a Spotify fog
a Spotify trance
in the distance
a song emerges…..

Five Miles Outside of Austin

I’m five miles outside of Austin
with a pounding in my head
full of yesterday’s whiskey
and wishing I was dead

I left a girl back there sleeping
as dawn began to break
I gave her all that I could give
and I took all I could take

and I wish I had done better
that I hadn’t stayed so long
now I’m five miles outside of Austin
and I’m stuck inside this song.

Five miles outside of Austin
and I’m stuck inside this song.

II
Down the road, a girl is waiting,
drinking beer and playing pool
waiting for deliverance
waiting for another fool

and I’ll dust the road off of my coat
and walk through that door
she’ll say “howdy stranger,
I ain’t seen you before”

but now my head is beating like a bass drum
there’s stubble on my tongue
I’m five miles outside of Austin
and I’m stuck inside this song

Five miles outside of Austin
and I’m stuck inside this song.

 

Photo (by Marie Feeney) of Lukas Nelson and Neil Young at Desert Trip

 

Of Statues and Limitations

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Of Statues and Limitations

As we round Lee’s Circle in New Orleans
talk turns to statues
and the topless monument;
the shuttle bus driver tells us
that Robert E. Lee’s statue was removed
under the cover of darkness
by a crew dressed like ninjas,
to avoid recognition.
People woke up the next day
to find the statue had disappeared.
A photograph on Wikipedia
shows the statue being removed
in broad daylight by a crane;
reality is nearly always more prosaic.
She also tells us that she grew up in the neighbourhood;
as kids, they just called the monument,
“The Statue”, they did not know or care
who Robert E. Lee was.

In 1966, the IRA blew the statue of Horatio Nelson
off its pedestal on top of Nelson’s Pillar
in the middle of O’Connell Street, Dublin.
To my parents’ generation
Nelson’s Pillar was known simply as “The Pillar”.
(Dubliners are very fond of the definite article:
“How’s the head?”
“Are you still playing the soccer?”)
To them, The Pillar was a landmark
a place to meet your date
en route to one of the cinemas
on O’Connell Street to catch a film (2 syllables)
and perhaps a humid snog
in the back seat when the lights went out.
To the IRA it was a symbol of British Imperialism
of British oppression,
an insult to our patriot dead;
blah, blah, blah, boom!
The IRA was a particularly unsubtle organisation.

Is all this just facile juxtaposition,
chopped up prose
masquerading as a poem,
or is there a point?
Yes, yes and yes:
see what I think is
there are people who look up at statues
there are people who believe
statues are looking down on them
and there are people
who look straight ahead
and keep moving forward
into the future,
leaving the past
to its state of disrepair.

 

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Top photo taken at the Takashi Murakami exhibition (The octopus eats its own leg) at the Vancouver Art Gallery.

Bottom Photo taken in Medellin, Colombia, statues by Fernando Botero.

If a Relationship is a Bus (Poem)

Folf Fest (2)

…the task of the day over at dVerse  is to create unique metaphors and incorporate them into a poem…I think this post from a little while back fits…thanks to Bjorn for the prompt

If a Relationship is a Bus

if a relationship is a bus
why then sometimes
does the bus leave the paved road,
the beaten track,
the path most trodden,
and bump off across
a corrugated desert
complete with tumble weeds
and plural cacti
(the wind is howling
at least, it sounds like the wind)
and that bus keeps bumping along
until it coughs, sputters to a stop,
and the occupants reluctantly step out
onto the desert floor
which is really an ancient ocean bed
strewn with the fossils
of forgotten fish
like the back lot
of some prehistoric sushi bar
they step out
breathe the bone dry air
and ask themselves how,
how the hell
did we end up
in this fucking bus metaphor?

.

 

Heavy Metal Heaven

 

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Heavy Metal Heaven

Slim plugs in his guitar
sets the dial on his amp
to “heavy metal”
hits an E minor seven
walks out of the room
makes a cup of coffee
drinks a cup of coffee
checks the football results
texts his brother in England:
what’s up, mate?
his brother doesn’t answer
he starts writing a novel:
The sun –
a red ball of anger on the horizon –
shouts through the brown chemical haze:
“that’s it, I’m outta here”.
Then, and only then, they hear a baby cry.
That’s all he’s got
He returns to the room
that E minor seven
is still going
but faint now
like a rustle of paper
like the distant chatter
of dead drummers
in heavy metal heaven
he picks up his guitar
hits an A minor seven
walks out of the room
starts his taxes……

 

IMG_1125

 

taking part in Open Link Night over at dVerse

Word of the Day – Cisgender

Word of the Day – Cisgender

Origins:
‘Cis’ is a latin prefix meaning ‘on the same side of’. ‘Cisgender’ is a term used to describe people whose gender identity matches the sex that they were assigned at birth.

Examples of use in a sentence:
1. Last night at dinner, he told his family he was ‘cisgender’; they said: “what’s changed?”
2. I am a cisgender, bi-national ( two passports), white male.

Assumptions that can be made from sentence no.2:
Never assume anything about anybody based on a label.

What I dislike about the word:
It was spawned in academia and therefore is more likely to obfuscate rather than clarify.
It has a whiff of fundamentalism, totalitarianism to it; it has the odour of doctrine.
When I hear the word, I hear the language police knocking on my door.

What I really dislike about the word:
There is no poetry in it; no alliteration, assonance, internal rhyme. Not one letter is repeated. All those wheedling slender vowels, the awful hiss of that first syllable like a snake slithering across the floor. And then, and then that doughy ‘g’ which can’t be saved by the late arrival of that hard ‘d’ like an ambulance to an accident.

Other than that……I’m fine with it

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Photo: English Bay, Vancouver, A-MAZE-ING LAUGHTER, by Yue Minjun.

Rooster Gallery / Living Off The Grid.

 

 

 

Living Off the Grid

The sun with rare generosity
beats down on the solar panels
on the roof of Vincent’s log cabin.

The first sentence of his organic novel
The abattoir, for once, was silent
sits alone on his laptop screen.

This is the seed from which will spring
plot, character, content.
He gets up, walks out through the kitchen door

through the tortured arch of his driftwood arbor
and into the vegetable garden
where he urinates in a jagged arc

sprinkling life-giving nutrients
on the unsuspecting butter lettuce.
Returning to his desk

he taps out another sentence:
With his mother’s mop, he wipes
the blood from the kitchen floor.

Why so morbid?
It’s warm, he’s feeling drowsy,
he detects a faint signal from a long-dormant source

like the distant ping from a submarine
at the bottom of the ocean.
He should invite someone for dinner,

the lady who sells jam at the Saturday market, perhaps,
or the angry sculptress – she of the tangled hair,
the scrap metal raptors, the acetylene scent.

The jam lady it is.
Bottle of wine from the retired lawyer’s vineyard,
salmon from the gnarled fishermen down at the dock,

try a little humor,
ask her if raspberry jam is a male preserve,
make a nice salad. What’s the worst that could happen?

 

This poem first appeared a little while back in “The Basil O’Flaherty”.

 

 

 

So Distracted / Smart Phone (with apologies to Dickens and Darwin)

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So Distracted

Snapchat
WhatsApp
Instagram
Facebook

What?
……..I’m so distracted

Text message
Twitter feed
I’ll follow you
if you follow me

What?
……..I’m so distracted

Spotify
Pokémon
I just got a like
from Pakistan

What?
……..I’m so distracted

So distracted
So distracted
did I walk that back?
did I retract it?

So distracted
So distracted
did I walk that back?
did I retract it?

What?

 

Smart Phone (with apologies to Dickens and Darwin)

’twas the best invention
’twas the worst invention

’twas communication’s new dawn
’twas the end of communication

’twas a pain in the neck
’twas incipient myopia

’twas why we evolved
with opposable thumbs.

 

Gravity, Don’t Fail Me Now.. (gym gnostic 1)

 

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And your gravity fails and negativity don’t pull you through….Bob Dylan

Know your gym……Slim Volume

 

gym gnostic 1

two geezers
pink and steaming
towelling down
after a shower
discussing gravity
how it is not fixed
how it decreases
with distance from the earth’s core
how, if one was to climb to the top of Everest,
since weight is the product of mass and gravity
one would weigh less at the top of Everest
and Slim’s thinking
this is one fucking erudite conversation
and he wants a piece of it
so he points out that
one would regain that weight
on returning to sea level
and one of the geezers replies
yeah but you’d probably burn 10,000 calories
climbing up and down the fucking mountain
and a nearby jock encased in breathable fabric
says shit, I’d burn that in 40 minutes on the rowing machine
and Slim fires back wryly
keep telling yourself that
and the locker room erupts in laughter
and in that moment
basking in the unbearable lightness of banter
Slim defies gravity and levitates
above the bacterial swamp
that is the locker room floor.

Drive

 

 

 

Drive

On a strange day
in a life that’s becoming stranger
Myron is driving north of Kona
on a road bisecting the black lava landscape
when Lucy in the Sky with Diamonds
comes on the radio,
and in no time at all he’s picturing himself
on a boat on a river
and marvelling for the first time
at that rhyme between
marmalade skies and kaleidoscope eyes;
not the skies and eyes
but the lade and leid
and just when his head
is filling with technicolor,
the black cloud, that’s sitting
on the mountains to the right,
moves across the sun
that’s shining on the blue ocean to the left
and the jumbled chunks of frozen black lava
that cover the landscape,
and suddenly the remaining light is sucked from the air
leaving everywhere
a dull monochrome.

 

This poem was published in The Galway Review a little while back but I thought it was worth bringing out again because of the recent anniversary of the release of Sgt. Pepper. The photos above are of the Beatles’ single featuring  Strawberry Fields Forever and Penny Lane. My family got it’s first record player in the early sixties just when the Beatles and the rest of the British groups that formed the British Invasion were emerging. The first single we bought was “Needles and Pins” by The Searchers, a remake of a Jackie De Shannon song. My mom, older sister, older brother and myself would take turns every week to buy a record to build our collection. When I was back in Dublin a few years back for my dad’s funeral, I picked out the record shown above and a few others from our collection.  The sleeve has a picture on the front and on the back which was not typical at that time. Both songs were originally intended for the Sgt. Pepper album but were released early because they needed a single.

I can still remember hearing Strawberry Fields for the first time on the radio. The Beatles were busy spawning genres at the time but this was the strangest piece of music I had ever heard. It was and still is undefinable. Penny Lane wasn’t bad either.

 

Happy Hour on The Tap and Barrel Patio

 

Patiology

The girl, two tables down

angles her right shoulder forward

every time she makes a point.

 

Beside us,

the expensive suits and haircuts

play with their phones

like fishermen on the dock in Mykonos

playing with their worry beads.

After four beers,

they relax into loud brodacious banter.

 

The glass towers flare as the sun goes down.

 

 

 

 

 

 

 

 

Where have all the Good Rhymes gone?

Another post from the past.

Where have all the Good Rhymes Gone?

 I’m not sure when rhymes all but disappeared from modern poetry, but pick up any recent collection and you would be hard put to find a single rhyme. I’m not saying that this is a bad thing, on the other hand, stop anyone in the street and ask them to recite their favourite poem and invariably, if they reply at all, it will be a rhyming poem. So people like rhyme but if poets have stopped rhyming where do people go for their rhyming fix?

The answer of course is popular song. Pop, folk, country, rock, rap, hip hop could not function without rhyme; obvious rhyme mostly, rhyme that can seen coming a mile away. If you hear ‘dance’ there will be ‘romance’; if you hear ‘night’, it’s going to be ‘alright’, if you hear “love’, there will be a ‘sky above’. This can be boring or comforting depending on your point of view. But there are rhymes in popular song, rhymes that avoid cliché, that manage to surprise. For example:

The bridge at midnight trembles

The country doctor rambles.

(Bob Dylan from “Love minus Zero, No Limits)

Or more recently, check out the “The Trapeze Swinger” from Sam Beam[i] of Iron and Wine who writes songs of such fragile beauty that it feels like they will fall apart if you touch them.

But please remember me, fondly

I heard from someone you’re still pretty

And then they went on to say that the Pearly Gates

Had some eloquent graffiti

 Or, from the White Album:

I’m so tired, I’m feeling so upset

Although I’m so tired, I’ll have another cigarette

And curse Sir Walter Raleigh

He was such a stupid get[ii].

‘Trembles, ‘rambles’, ‘poetry’, ‘graffiti’, ‘cigarette’, stupid get’, all rhymes that don’t resort to cliché, that manage to surprise and there are many more. So if there is anyone out there reading this, send me your favorites, let’s get a list going! Only two criteria: 1) the rhyme must surprise 2) no rhymes ending in ‘ution’ as in “make revolutions/ not institutions/ dilution/ is not the solution/ to pollution/ make restitution…enough already.

*******

[i] Why has Sam Beam not been made poet laureate of the United States of America? He could have written “Trapeze Swinger” alone, and he would be streets ahead of anyone else. Graffiti on the pearly gates -‘tell my mother not to worry’,  ‘rug-burned babies’, ‘a trapeze swinger as high as any savior’; check it out here:

[ii] Some websites write this as “stupid git”, but the album liner notes show it as “stupid get” which obviously rhymes better but also it would be more likely that Lennon being from Liverpool would use the Irish (and also Scottish) pronunciation ‘get’ rather than ‘git’ which is more common in the south of England. By the way, Wiktionary suggests that ‘get’ is related to the word ‘beget’, whereas I think it is more likely that it comes from the gaelic word ‘geit’ meaning ‘fright’ or ‘terror’. The meaning has since morphed into something close to ‘jerk’.

 

2 Poems and a Song Lyric at The Basil O’Flaherty.

I have 2 poems (“Living Off the Grid”, “Railspur Alley Park”) and a song lyric (“Willie’s Oasis”) up at the tri-quarterly web magazine “The Basil O’Flaherty”.

Regular visitors to this blog will recognise the second poem as a triple slimverse. Only the second time this verse form has appeared outside this blog….is that momentum I feel?

I’m never totally sure about publishing song lyrics as they sometimes seem a bit thin on the page without melody and music, but I hope this one stands up! You can check out a sample of the recorded version here.

Where have all the Good Rhymes gone?

Where have all the Good Rhymes Gone?

 I’m not sure when rhymes all but disappeared from modern poetry, but pick up any recent collection and you would be hard put to find a single rhyme. I’m not saying that this is a bad thing, on the other hand, stop anyone in the street and ask them to recite their favourite poem and invariably, if they reply at all, it will be a rhyming poem. So people like rhyme but if poets have stopped rhyming where do people go for their rhyming fix?

The answer of course is popular song. Pop, folk, country, rock, rap, hip hop could not function without rhyme; obvious rhyme mostly, rhyme that can seen coming a mile away. If you hear ‘dance’ there will be ‘romance’; if you hear ‘night’, it’s going to be ‘alright’, if you hear “love’, there will be a ‘sky above’. This can be boring or comforting depending on your point of view. But there are rhymes in popular song, rhymes that avoid cliché, that manage to surprise. For example:

The bridge at midnight trembles

The country doctor rambles.

(Bob Dylan from “Love minus Zero, No Limits)

Or more recently, check out the “The Trapeze Swinger” from Sam Beam[i] of Iron and Wine who writes songs of such fragile beauty that it feels like they will fall apart if you touch them.

But please remember me, fondly

I heard from someone you’re still pretty

And then they went on to say that the Pearly Gates

Had some eloquent graffiti

 Or, from the White Album:

I’m so tired, I’m feeling so upset

Although I’m so tired, I’ll have another cigarette

And curse Sir Walter Raleigh

He was such a stupid get[ii].

‘Trembles, ‘rambles’, ‘poetry’, ‘graffiti’, ‘cigarette’, stupid get’, all rhymes that don’t resort to cliché, that manage to surprise and there are many more. So if there is anyone out there reading this, send me your favorites, let’s get a list going! Only two criteria: 1) the rhyme must surprise 2) no rhymes ending in ‘ution’ as in “make revolutions/ not institutions/ dilution/ is not the solution/ to pollution/ make restitution…enough already.

*******

[i] Why has Sam Beam not been made poet laureate of the United States of America? He could have written “Trapeze Swinger” alone, and he would be streets ahead of anyone else. Graffiti on the pearly gates -‘tell my mother not to worry’,  ‘rug-burned babies’, ‘a trapeze swinger as high as any savior’; check it out here:

[ii] Some websites write this as “stupid git”, but the album liner notes show it as “stupid get” which obviously rhymes better but also it would be more likely that Lennon being from Liverpool would use the Irish (and also Scottish) pronunciation ‘get’ rather than ‘git’ which is more common in the south of England. By the way, Wiktionary suggests that ‘get’ is related to the word ‘beget’, whereas I think it is more likely that it comes from the gaelic word ‘geit’ meaning ‘fright’ or ‘terror’. The meaning has since morphed into something close to ‘jerk’.

 

Having a Pint with Adele (and the meaning of post modern)

It is late afternoon in The Post Coital Beetle and Slim and I are starting into our first pitcher of Blue Buck Ale, nachos have been ordered. On the television screen on the wall in front of us, a baseball player is attacking a dugout water cooler with his bat. The television is on mute. Adele emotes in the background.

It’s been a while since Slim and I have got together and although nothing has been said, I sense that he has a beef of some kind. Not that this is unusual, having a beef is Slim’s default mode, but at the moment he seems relaxed. He has just finished a three hour practice with his band “Bad Complexion”. Slim plays bass and does background vocals. The armpits of his faded Clash T shirt are wet with sweat and the T shirt has been washed so many times that it no longer fits, leaving a gap of bristly pink flesh above the belt of his jeans. The image of a pig’s cheek pops into my head.

He’s smiling.

“She’s really just an old-fashioned British pop singer, isn’t she?” He says.

“Who?”

“Adele, you know…somewhere between Lulu and Shirley Bassey.”

“I guess…she also has that girl next door thing”

“Exactly,” Slim says, “like Cilla Black.”

“That name brings to mind a small black and white television set”

“You could have a pint with Adele,” Slim says, wistfully, and we both fall silent thinking about sharing a pint with Adele.

The pub door opens and closes. Cold blast of January air. Skunky whiff of over-hopped ale. Or is that Slim’s armpit? The silence lingers a little too long.

“I’ve taken up cooking, I’ve become a devotee of Wolfgang Puck.”

Slim does an owl blink, I can almost hear his brain working.

“Who the fuck

is Wolfgang

Puck? And why

should I care?”

He intones smugly.

“You’re doing that 12 syllable slimverse thing again, aren’t you?”

“Yes,” he says, “and that reminds me, I have a bone to pick with you.”

Ahh, not a beef but a bone.

“Shoot”

“This lame-ass blog of yours, I thought it was supposed to be devoted to my poems, but lately it’s all your stuff and you’ve taken stories I’ve told you and used them for your poems and created this character called Slim”

“I’m being post-modern”

“What the fuck does that mean?”

“You know, there are many ways of knowing and many truths to a fact.

“Crystal clear then, how can anything be post-modern? ‘Modern’ means ‘of the present’ – ‘now’, the only possible way a work could be post-modern would be if it was written in the future, for that we will have to wait for the invention of time travel.”

He folds his arms, discussion over.

“You have a point. Anyway, you haven’t been giving me much to publish lately.”

“Ok, how about this one, it’s called ‘Rasta’:

It’s a fact

all Rastas

are born out

of dreadlock.”

“Amusing, but a bit thin, we need flesh on the bones, Slim, flesh on the bones. Besides, I’m not so sure about this slim verse thing.”

Slim drains his half full pint glass and refills it.

“Go on.” He says.

“Well, you know, the haiku has got a headlock on internet poetry and it has seventeen syllables to work with, that’s five more than a slimverse. Now I hear that someone in the north of England has come up with a new form – the ‘anchored terset’ which is essentially a three word/four line poem, the fourth line being a punctuation mark, for example:

Sky

Field

Cow

.

It’s a race towards nothingness.”

Slim drains his pint glass and leans forward, his finger poking in my direction.

“Here’s an anchored terset for you….

You

Fuck

Off

!”

He tries to storm out but because we are in a booth he has to slide along the bench seat, his stomach rubbing against the table’s edge. His T shirt rides up. At the same time the waitress arrives with a plate of nachos shaped like a volcano, a volcano spewing molten cheese lava. The waitress stares in horror at the sinkhole that is Slim’s navel. Slim shouts at the waitress:

“I thought I said ‘hold the jalapenos’!

We watch him leave, on his back Paul Simonon slams his Fender Precision Bass into the stage at The Palladium in New York city.

“He seems upset”, the waitress says, and I’m thinking:

I can’t see

the pulled pork,

she forgot

the pulled pork.

 

After all

that bother

she forgot

the pulled pork.

 

 

Reference:

http://www.theguardian.com/books/booksblog/2016/feb/04/a-brief-guide-anchored-terset-poetry

 

 

 

The Unconventional Republican (remix)

The center folds

and all ’round topple

into the opening void,

what rough beast

rabble in tow

slouches towards Washington

bursting with tawdry pomp

and irrational schemes.

 

A few notes, this poem of course echoes and directly quotes “The Second Coming” by WB Yeats, a poem which was written after the first World War and still resonates today. For a brilliant analysis of the poem, read “Break, Blow, Burn” by Camille Paglia. The Irish jazz singer, Christine Tobin has put the poem to music on a CD called “Sailing to Byzantium” which is well worth checking out.

The Trump Collection (5 poems)

Well, despite the best efforts of a clown car of cartoon contestants and the ridicule heaped on him by John Oliver, Trevor Noah, Bill Maher, Samantha Bee and all those late night satirists,  Donald Trump is about to win the Republican Party nomination; he is about to become the winner he has always claimed to be. Time to review this blog’s vain efforts to stop this behemoth. Here they are in order of appearance, as they move from ridicule to outrage to reflection to fear and finally an appeal to a higher power.

Donald Trump (a slimverse)

Donald T

court jester

hair today

tomorrow?

 

The Level of Discourse

I want to say a few words

About the level of discourse

How low can it go?

How low can it go

When a candidate for the presidency

Of the United States

Gets up on television

And mocks, mimics, ridicules

A disabled man

And the media endlessly debate

Whether he intended to or not

When he plainly did

And the members of his party

Refuse to criticize him

Refuse to say that

This is beneath our dignity,

Perhaps dignity

Has left the room

Has left the United States of America,

And these same party members

Pride themselves

On their rugged individualism

Their boots on the ground machismo

And oh how they love their Hitler analogies

But when a trumped up

Pumped up tin pot bully

Emerges from their own ranks

They are too chickenshit to say anything

How low can it go?

The level of discourse

How low can it go?

 

Trumped

I get it now

Donald T

Is a performance artist

Like that guy in Beijing

Sucking dust out of the air

With a vacuum cleaner

Or maybe he’s one of those mirrors

In a fairy tale

Reflecting only

The worst in ourselves.

 

The above poem also appeared on https://iamnotasilentpoet.wordpress.com/2016/01/20/trumped-by-jim-feeney/

 

Watching the Republican Debates

potus

poultice

poultry

poetry

podcast

pomegranate

pornography

porridge

pork

only

one

of

the

above

is

a

lethal

weapon

when

given

to

a

fool

 

Super Saturday

There’s a dog wearing a tartan skirt

outside the window of Starbuck’s;

a tartan skirt, a belt, and a knitted white sweater.

Its little dog legs are moving furiously

on the wet pavement,

across the slick road

and the sodden green park

the ocean sits

like a slab of lead

having clearly decided

to take some time off,

no crashing on the shore today.

South of the border

A bigoted bully with a head

like a bloated turnip

is moving towards

the presidency of the United States,

and God, once again,

is moving in mysterious ways

but I, for one, wish he would knock it off,

enough already with the mystery

for once in your eternal life,

clarify something,

I mean, for Chrissakes,

there’s a dog wearing a tartan skirt

outside the window of Starbuck’s.

 

There you go, the poetry’s a bit rough and ready but that goes with the territory. That’s probably enough about Donald for a while. It’s hard to argue logically against statements that have no logic to begin, against policy that doesn’t exist except as cynical manipulation but most of all I can’t get interested. He’s had his twenty minutes. I’m bored. I’m bored with Donald. I’m bored with the people who believe what he says.  Little Marco is gone, lyin’ Ted is gone and we are left with boring Donald (#boringdonald). Until I get irritated again………

 

 

 

 

Slimverse Down Under (Quantum Foam and the Subjunctive)

Well, this is exciting, slimverse goes antipodal! My good friend Snoop Doggerel in Adelaide, Australia has just joined the international movement towards slimverse. Can anything, other than widespread apathy, stop this juggernaut now? Here it is, Snoop D’s paean to the power of nothing:

NOTHING MUCH

By Snoop D. Doggerel

Nothing’s great

It can sate

Quantum foam

I can roam

By way of explanation, from Wikipedia:

“Quantum mechanics predicts that space-time is not smooth; instead, space-time would have a foamy, jittery nature and would consist of many small, ever-changing, regions in which space and time are not definite, but fluctuate.

The predicted scale of space-time foam is about ten times a billionth of the diameter of a hydrogen atom’s nucleus, which cannot be measured directly. A foamy space-time would have limits on the accuracy with which distances can be measured because the size of the many quantum bubbles through which light travels will fluctuate. Depending on the space-time model used, the space-time uncertainties accumulate at different rates as light travels through the vast distances.”

Speaking of a foamy, jittery nature, I asked Slim to comment on ‘quantum foam’ and how it could enhance Snoop D’s ability to roam. He had this to say:

CHILL

 the answer

lies in the

wondering.

gnomic? moi?

What can I say? We are experiencing an embarrassment of riches. But wait, this just in, another gem from Snoop Doggerel:

TENSE TIME

By Snoop D. Doggerel

As it were

Subjunctive

No-one saw

It coming

Strut that subjunctive, Snoop.

I present this to Slim and he goes silent like he’s experiencing a food chain moment, like he feels he’s been out-versed. But wait, something is coming in….

SHOCK AND AWE

 It’s enough

to make me

floss outside

corn season.

Yep, if you want gnomic, if you want cryptic, if you want  non-sequiturs, this is the blog for you!!