Tag Archives: poetry

Poem: Tar Macadam (following the sound)

 

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Tar Macadam (following the sound)

tar macadam
John Macadam
Hussein Saddam
Gomorrah Sodom
Hillary Rodham
Jason Bonham
Glocca Morra
Rooney Mara
how are things?
Connemara
hound of the sea.

I got the idea for this little sound poem while reading Eilene Lyon’s excellent post “The National Road” where I discovered that tar macadam was invented by a Scot, John Macadam. Like all of Eilene’s posts, it is very well written and researched and packed with interesting information. Unfortunately, she is taking a break from blogging for a while, so head over to her blog and enjoy it while you can.
Other Notes:

According to Wikipedia: “’How Are Things in Glocca Morra?’ is a popular song about a fictional village in Ireland, with themes of nostalgia and homesickness. It was introduced by Ella Logan in the original Broadway production of Finian’s Rainbow”.
My mom used to sing it. I always thought it was based on the Gaelic phrase “glaoch na mara” meaning “call of the sea” but it’s probably just a made up Irish sounding name. The Gaelic translation of Connemara is “hound of the sea”.

….also participating in Open Link night over at dVerse.

 

Between (Everyone’s got something to bring..)..Poem.

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Between

Between the caucus and the carcass
between the chaos and the calm
between the fracas and the ruckus
between the righteous and the damned

Between the priest and the sermon
between the singer and the song
no one can determine
why we all can’t get along

Between the question and the answer
there is a life time of space
between the dance and the dancer
there is beauty and there is grace

Everyone’s
got something to bring
affect one thing
affect one thing

Everyone’s
got something to bring
affect one thing
affect one thing

Between the caucus and the chaos
between the crack house and the calm
between the raucous and the ruckus
between the righteous and the damned

Between the priest and the sermon
between the lawyer and the law
no one can determine
what is right and what is wrong

Between the question and the answer
there is a life time of space
between the dance and the dancer
there is beauty and there is grace

Everyone’s
got something to bring
affect one thing
affect one thing

 

In response to the dverse prompt to write a poem using repetition (thanks Jilly). I had the first 3 verses for a while..the prompt spurred me to finish the poem!

 

Early Bird Special (quadrille with bonus haiku)

Early Bird Special

unlike the midnight special
there are no songs
to celebrate the early bird special
no IHOPian bard,
no poet laureate of the blue plate
no bargain basement Dylan
no cut price Cohen
to extol the digestive
and economic benefits
of getting an early start.

Inspired by the dVerse prompt to write a quadrille using the word “early”. Thanks to Kim for the prompt.

sunrise-3-5

Bonus Haiku

dawn breaks, early shift
at the haiku factory
counting syllables.

Photo: Sunrise on Planet Cistern 2

 

The Chester Beatty Library (Poem)

A slightly different version of this poem was published a while back in The Galway Review .  I am posting this edited version as part of dVerse’s open link Thursday.

The Chester Beatty Library                                   

In the Chester Beatty Library
Four elderly ladies
Permed, perfumed and powdered
Stroll past the ancient texts
The papyrus and the parchment
Seemingly unimpressed
By the evidence before them
That ever since we could stand upright
We have tried to leave foot prints
In the wet cement of time.
What intrigues the ladies,
Is how these fragile treasures
These artefacts and amulets
Were safely transported
From their exotic homelands
To the airless glass cases
In which they now reside.
They explore this theme together
In intertwining solos
Like a modern jazz quartet
Like mythical creatures
Compelled to talk forever
Because they believe
That to stop
Would be to die.

 

If you are ever in Dublin, the Chester Beatty Library is well worth a visit. The photo below is not the Chester Beatty Library, but it was taken in Dublin in September. I am including it here to show that the sun shines in Dublin but the clouds are always on the move.

 

Radisson

An Open Letter to Anderson Cooper, Jake Tapper, Don Lemon

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An Open Letter to Anderson Cooper, Jake Tapper, Don Lemon

Dear Anderson, Jake and Don
full disclosure, I’ve always been a fan
but lately I find (maybe it’s a phase, a stage)
I’m getting tired of outrage
could we just agree that some truths are self-evident
that yes, Donald Trump is a disastrous president
that yes, he’s a congenital liar
that yes, his pants are on fire
yes, he’s a fascist
yes, he’s a racist
yes, he “grabs pussy”, cheats on his wife
but, here’s the thing, he’s having the time of his life
he’s hosting the biggest reality show of all time
and you are playing your part, falling in line
it’s not that you are dupes, puppets, complicit
but do you have to analyse every tweet, every snippet
do you have to report every rally
every blundering sally
into global politics
every outburst of fustian rhetoric
why not talk about detention of children, the environment
deregulation, the threat to national monuments
why not talk about hope, democracy, activists, action
and ignore this preening prat, this abominable distraction.

Home (from Oscar Wilde to Bono, haiku’s)

Oscar (3)

Conversation (hibernoku)

a low Dublin sky
a sentence hangs suspended
cut off in its prime

interrupt or die.

‘Hibernia’ is the classical Latin name for Ireland. A hibernoku is a haiku (seventeen syllables, 5-7-5) with an additional 5 or 7 syllable line, because for the Irish, seventeen syllables is a cruel limitation. The poem must contain an Irish reference and must allude to the weather in some way. In most parts of Ireland, ‘hibernoku’ is pronounced ‘hi-bern-o-koo’, except in West Cork where it is pronounced ‘hiber-nok-oo’.

Photo: Statue of the eternally quotable Oscar Wilde in Merrion Square, Dublin.

 

Sandy Cove

 

Weather (abandoned haiku)

an easterly wind
clouds move in convoy ‘cross the blue dome of the sky.

This started off as a haiku, but I felt like letting the second line run.

Photo: A sunny mid September day in Sandy Cove, Dublin.

 

Vico

Family (haiku)

yep, had a few drinks
with my brother, my sisters
sibling ribaldry.

Photo: View looking south along the coast, from Vico Road. Dalkey, Co. Dublin. Bono owns a house nearby ……where all the streets have names….I checked.

 

Waiting for Summer/Vincent Buckmaster

Waiting for Summer

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Vincent Buckmaster

At school,
Vincent was known as either “Vince” or “Vinny”.
He does not currently like to be called either.

“Vince” is too rockabilly and rhymes with “wince”.
“Vinny” is too mobster and rhymes with “skinny”.
He is not even that sure about “Vincent”,

but the sonic collision appeals to him
– the chain saw screech of “Vincent”,
the Germanic boom of “Buckmaster” –

This is the way he thinks.

 

Dog in a Tartan Skirt (Edit)

 

Dog in a Tartan Skirt 

There’s a dog wearing a tartan skirt
outside the window of Starbuck’s;
a tartan skirt, a belt, and a knitted white sweater.
Its little dog legs are moving frantically
on the wet pavement,
while across the slick road
and the sodden green park
the ocean sits
like a slab of lead
having clearly decided
to take some time off,
no crashing on the shore today.
South of the border
America blunders around
trying to remember
where it parked
that big ass car
that everyone admired
and envied.
The people look to God
but God, once again,
is moving in mysterious ways;
I, for one, wish He would knock it off,
enough already with the mystery
could He not for once in His eternal life,
clarify something?
I mean, for fuck sake,
there’s a dog wearing a tartan skirt
outside the window of Starbuck’s.

If a Relationship is a Bus (Poem)

Folf Fest (2)

…the task of the day over at dVerse  is to create unique metaphors and incorporate them into a poem…I think this post from a little while back fits…thanks to Bjorn for the prompt

If a Relationship is a Bus

if a relationship is a bus
why then sometimes
does the bus leave the paved road,
the beaten track,
the path most trodden,
and bump off across
a corrugated desert
complete with tumble weeds
and plural cacti
(the wind is howling
at least, it sounds like the wind)
and that bus keeps bumping along
until it coughs, sputters to a stop,
and the occupants reluctantly step out
onto the desert floor
which is really an ancient ocean bed
strewn with the fossils
of forgotten fish
like the back lot
of some prehistoric sushi bar
they step out
breathe the bone dry air
and ask themselves how,
how the hell
did we end up
in this fucking bus metaphor?

.

 

Heavy Metal Heaven

 

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Heavy Metal Heaven

Slim plugs in his guitar
sets the dial on his amp
to “heavy metal”
hits an E minor seven
walks out of the room
makes a cup of coffee
drinks a cup of coffee
checks the football results
texts his brother in England:
what’s up, mate?
his brother doesn’t answer
he starts writing a novel:
The sun –
a red ball of anger on the horizon –
shouts through the brown chemical haze:
“that’s it, I’m outta here”.
Then, and only then, they hear a baby cry.
That’s all he’s got
He returns to the room
that E minor seven
is still going
but faint now
like a rustle of paper
like the distant chatter
of dead drummers
in heavy metal heaven
he picks up his guitar
hits an A minor seven
walks out of the room
starts his taxes……

 

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taking part in Open Link Night over at dVerse

Word of the Day – Cisgender

Word of the Day – Cisgender

Origins:
‘Cis’ is a latin prefix meaning ‘on the same side of’. ‘Cisgender’ is a term used to describe people whose gender identity matches the sex that they were assigned at birth.

Examples of use in a sentence:
1. Last night at dinner, he told his family he was ‘cisgender’; they said: “what’s changed?”
2. I am a cisgender, bi-national ( two passports), white male.

Assumptions that can be made from sentence no.2:
Never assume anything about anybody based on a label.

What I dislike about the word:
It was spawned in academia and therefore is more likely to obfuscate rather than clarify.
It has a whiff of fundamentalism, totalitarianism to it; it has the odour of doctrine.
When I hear the word, I hear the language police knocking on my door.

What I really dislike about the word:
There is no poetry in it; no alliteration, assonance, internal rhyme. Not one letter is repeated. All those wheedling slender vowels, the awful hiss of that first syllable like a snake slithering across the floor. And then, and then that doughy ‘g’ which can’t be saved by the late arrival of that hard ‘d’ like an ambulance to an accident.

Other than that……I’m fine with it

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Photo: English Bay, Vancouver, A-MAZE-ING LAUGHTER, by Yue Minjun.

So Distracted / Smart Phone (with apologies to Dickens and Darwin)

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So Distracted

Snapchat
WhatsApp
Instagram
Facebook

What?
……..I’m so distracted

Text message
Twitter feed
I’ll follow you
if you follow me

What?
……..I’m so distracted

Spotify
Pokémon
I just got a like
from Pakistan

What?
……..I’m so distracted

So distracted
So distracted
did I walk that back?
did I retract it?

So distracted
So distracted
did I walk that back?
did I retract it?

What?

 

Smart Phone (with apologies to Dickens and Darwin)

’twas the best invention
’twas the worst invention

’twas communication’s new dawn
’twas the end of communication

’twas a pain in the neck
’twas incipient myopia

’twas why we evolved
with opposable thumbs.

 

Happy Hour on The Tap and Barrel Patio

 

Patiology

The girl, two tables down

angles her right shoulder forward

every time she makes a point.

 

Beside us,

the expensive suits and haircuts

play with their phones

like fishermen on the dock in Mykonos

playing with their worry beads.

After four beers,

they relax into loud brodacious banter.

 

The glass towers flare as the sun goes down.

 

Happy Hour Friday

on The Tap and Barrel patio

and Monday morning

seems a lifetime away.

 

 

 

 

 

 

Where have all the Good Rhymes gone?

Another post from the past.

Where have all the Good Rhymes Gone?

 I’m not sure when rhymes all but disappeared from modern poetry, but pick up any recent collection and you would be hard put to find a single rhyme. I’m not saying that this is a bad thing, on the other hand, stop anyone in the street and ask them to recite their favourite poem and invariably, if they reply at all, it will be a rhyming poem. So people like rhyme but if poets have stopped rhyming where do people go for their rhyming fix?

The answer of course is popular song. Pop, folk, country, rock, rap, hip hop could not function without rhyme; obvious rhyme mostly, rhyme that can seen coming a mile away. If you hear ‘dance’ there will be ‘romance’; if you hear ‘night’, it’s going to be ‘alright’, if you hear “love’, there will be a ‘sky above’. This can be boring or comforting depending on your point of view. But there are rhymes in popular song, rhymes that avoid cliché, that manage to surprise. For example:

The bridge at midnight trembles

The country doctor rambles.

(Bob Dylan from “Love minus Zero, No Limits)

Or more recently, check out the “The Trapeze Swinger” from Sam Beam[i] of Iron and Wine who writes songs of such fragile beauty that it feels like they will fall apart if you touch them.

But please remember me, fondly

I heard from someone you’re still pretty

And then they went on to say that the Pearly Gates

Had some eloquent graffiti

 Or, from the White Album:

I’m so tired, I’m feeling so upset

Although I’m so tired, I’ll have another cigarette

And curse Sir Walter Raleigh

He was such a stupid get[ii].

‘Trembles, ‘rambles’, ‘poetry’, ‘graffiti’, ‘cigarette’, stupid get’, all rhymes that don’t resort to cliché, that manage to surprise and there are many more. So if there is anyone out there reading this, send me your favorites, let’s get a list going! Only two criteria: 1) the rhyme must surprise 2) no rhymes ending in ‘ution’ as in “make revolutions/ not institutions/ dilution/ is not the solution/ to pollution/ make restitution…enough already.

*******

[i] Why has Sam Beam not been made poet laureate of the United States of America? He could have written “Trapeze Swinger” alone, and he would be streets ahead of anyone else. Graffiti on the pearly gates -‘tell my mother not to worry’,  ‘rug-burned babies’, ‘a trapeze swinger as high as any savior’; check it out here:

[ii] Some websites write this as “stupid git”, but the album liner notes show it as “stupid get” which obviously rhymes better but also it would be more likely that Lennon being from Liverpool would use the Irish (and also Scottish) pronunciation ‘get’ rather than ‘git’ which is more common in the south of England. By the way, Wiktionary suggests that ‘get’ is related to the word ‘beget’, whereas I think it is more likely that it comes from the gaelic word ‘geit’ meaning ‘fright’ or ‘terror’. The meaning has since morphed into something close to ‘jerk’.

 

2 Poems and a Song Lyric at The Basil O’Flaherty.

I have 2 poems (“Living Off the Grid”, “Railspur Alley Park”) and a song lyric (“Willie’s Oasis”) up at the tri-quarterly web magazine “The Basil O’Flaherty”.

Regular visitors to this blog will recognise the second poem as a triple slimverse. Only the second time this verse form has appeared outside this blog….is that momentum I feel?

I’m never totally sure about publishing song lyrics as they sometimes seem a bit thin on the page without melody and music, but I hope this one stands up! You can check out a sample of the recorded version here.

The Party’s Over (3 poems and a bonus poem)

My head is throbbing like a car stereo, there’s stubble on my tongue. Last night, I invited Slim and the rest of his Poet’s Circle over for a few drinks to celebrate the end of April-Month of Slim and it was quite a night, or at least, I think it was. It began relatively smoothly with an intense discussion about accessibility (no surprises there) and I remember making an emotional speech about the end rhymes in “Suzanne”. Then the conversation moved on to verse forms – cinquains, tankas, sestinas, halibuns, what happens if one turns a haiku upside down -fascinating stuff. Then Slim chimed in and asked where his own invention, the slimverse, fitted in to this pantheon. There was an awkward silence. Eventually,  one of the poets – the one we refer to as The Accomplished Poet -spoke up. I should add that he is indeed accomplished and his compact vivid poems , mostly about his garden, have been widely published. He politely suggested that perhaps a 3 syllable line was too limiting, that making music with such a restriction is quite difficult. Now there was another kind of silence, the kind that ensues when a lion tamer drops his whip. Slim says quietly “fuck you and your fucking garden” and aims a punch at The Accomplished Poet’s head, who, perhaps because of all that work in the garden, turns out to be quite agile. He ducks Slim’s punch and kicks him adroitly in the nuts. When the applause died down and Slim could speak again, he uncharacteristically apologized and gave The Accomplished Poet a hug, a doubtful pleasure given Slim’s personal hygiene issues. The evening ended on a happy note with a raucous rendition of “Suzanne”, everyone hitting the end rhymes hard.

But before we wrap it all up, just one more po-faced gem from Slim.

The Universe is Unexplainable

like a frog

down a well

we only

know the walls.

Maybe it’s the hangover but  I am having an adverse reaction to that last poem.

For Chrissakes

 doesn’t that

make you want

to smash a

garden gnome!

Before this deteriorates let’s turn to my good friend, Snoop D Doggerel, currently on tour in Southwest Ontario, who took time out to pen this following opus which I think puts it all in perspective.

COMING UP SHORT

aphorists

are gnomic

the dwarfs of

lit’rature

And that’s it! No finer ending!

I would like to point out that no animals were harmed in the making of this month of blog posts, although a few (a frog, a bull, dogs, mice) were shamelessly used as props or on the business end of a simile.

What Can I Say

 to leave no

footprint we

must fly but

never land.

 

 

 

Vancouver Jazz Festival (Re-Mix) – a poem, a discussion, a bonus poem.

Vancouver Jazz Festival (Re-Mix)

 a humid

lion house

hogo hangs

on the air

 

dogs and trees

dogs and trees

free jazz, jazz

for free, the

 

bass player

leans like a

drunk around

a lamp post.

 

Well, 3 posts into April – Month of Slim and I’m wondering will this 12 syllable madness ever end? I asked Slim if he found this verse form, this 3 syllable line too confining. Did he not want to escape its shackles and roam free, go for 5, 6 syllables or even stretch a line across the width of the page. “Au contraire”, he said. He actually said that, “au contraire”, and I thought that’s a bit effete, a bit foppish for a bald guy with gravity issues.

“Au contraire, in fact I find it liberating to escape the tyranny of free verse, the endless decisions – upper case, lower case, line length, is it really a poem or is it just chopped up prose, if I am writing a poem about a flower, should the poem be in the shape of a flower, should I rhyme or not rhyme, what is doggerel anyway? – this is like fundamentalism, the boundaries are clearly defined, this far and no further, the Lord gave you 12 syllables, make the best of it!”

Well, that answer was a bit more than I needed or wanted, if I owned a watch I would have been looking at it.

“Got to go, Slim” I said.

“Hang on” he said, “talking of religion, I saw that movie ‘Spotlight’, here’s my review.

 

Spotlight (slim review)

 Catholic

priests find the

immoral

higher ground.

Where have all the Good Rhymes gone?

Where have all the Good Rhymes Gone?

 I’m not sure when rhymes all but disappeared from modern poetry, but pick up any recent collection and you would be hard put to find a single rhyme. I’m not saying that this is a bad thing, on the other hand, stop anyone in the street and ask them to recite their favourite poem and invariably, if they reply at all, it will be a rhyming poem. So people like rhyme but if poets have stopped rhyming where do people go for their rhyming fix?

The answer of course is popular song. Pop, folk, country, rock, rap, hip hop could not function without rhyme; obvious rhyme mostly, rhyme that can seen coming a mile away. If you hear ‘dance’ there will be ‘romance’; if you hear ‘night’, it’s going to be ‘alright’, if you hear “love’, there will be a ‘sky above’. This can be boring or comforting depending on your point of view. But there are rhymes in popular song, rhymes that avoid cliché, that manage to surprise. For example:

The bridge at midnight trembles

The country doctor rambles.

(Bob Dylan from “Love minus Zero, No Limits)

Or more recently, check out the “The Trapeze Swinger” from Sam Beam[i] of Iron and Wine who writes songs of such fragile beauty that it feels like they will fall apart if you touch them.

But please remember me, fondly

I heard from someone you’re still pretty

And then they went on to say that the Pearly Gates

Had some eloquent graffiti

 Or, from the White Album:

I’m so tired, I’m feeling so upset

Although I’m so tired, I’ll have another cigarette

And curse Sir Walter Raleigh

He was such a stupid get[ii].

‘Trembles, ‘rambles’, ‘poetry’, ‘graffiti’, ‘cigarette’, stupid get’, all rhymes that don’t resort to cliché, that manage to surprise and there are many more. So if there is anyone out there reading this, send me your favorites, let’s get a list going! Only two criteria: 1) the rhyme must surprise 2) no rhymes ending in ‘ution’ as in “make revolutions/ not institutions/ dilution/ is not the solution/ to pollution/ make restitution…enough already.

*******

[i] Why has Sam Beam not been made poet laureate of the United States of America? He could have written “Trapeze Swinger” alone, and he would be streets ahead of anyone else. Graffiti on the pearly gates -‘tell my mother not to worry’,  ‘rug-burned babies’, ‘a trapeze swinger as high as any savior’; check it out here:

[ii] Some websites write this as “stupid git”, but the album liner notes show it as “stupid get” which obviously rhymes better but also it would be more likely that Lennon being from Liverpool would use the Irish (and also Scottish) pronunciation ‘get’ rather than ‘git’ which is more common in the south of England. By the way, Wiktionary suggests that ‘get’ is related to the word ‘beget’, whereas I think it is more likely that it comes from the gaelic word ‘geit’ meaning ‘fright’ or ‘terror’. The meaning has since morphed into something close to ‘jerk’.

 

Having a Pint with Adele (and the meaning of post modern)

It is late afternoon in The Post Coital Beetle and Slim and I are starting into our first pitcher of Blue Buck Ale, nachos have been ordered. On the television screen on the wall in front of us, a baseball player is attacking a dugout water cooler with his bat. The television is on mute. Adele emotes in the background.

It’s been a while since Slim and I have got together and although nothing has been said, I sense that he has a beef of some kind. Not that this is unusual, having a beef is Slim’s default mode, but at the moment he seems relaxed. He has just finished a three hour practice with his band “Bad Complexion”. Slim plays bass and does background vocals. The armpits of his faded Clash T shirt are wet with sweat and the T shirt has been washed so many times that it no longer fits, leaving a gap of bristly pink flesh above the belt of his jeans. The image of a pig’s cheek pops into my head.

He’s smiling.

“She’s really just an old-fashioned British pop singer, isn’t she?” He says.

“Who?”

“Adele, you know…somewhere between Lulu and Shirley Bassey.”

“I guess…she also has that girl next door thing”

“Exactly,” Slim says, “like Cilla Black.”

“That name brings to mind a small black and white television set”

“You could have a pint with Adele,” Slim says, wistfully, and we both fall silent thinking about sharing a pint with Adele.

The pub door opens and closes. Cold blast of January air. Skunky whiff of over-hopped ale. Or is that Slim’s armpit? The silence lingers a little too long.

“I’ve taken up cooking, I’ve become a devotee of Wolfgang Puck.”

Slim does an owl blink, I can almost hear his brain working.

“Who the fuck

is Wolfgang

Puck? And why

should I care?”

He intones smugly.

“You’re doing that 12 syllable slimverse thing again, aren’t you?”

“Yes,” he says, “and that reminds me, I have a bone to pick with you.”

Ahh, not a beef but a bone.

“Shoot”

“This lame-ass blog of yours, I thought it was supposed to be devoted to my poems, but lately it’s all your stuff and you’ve taken stories I’ve told you and used them for your poems and created this character called Slim”

“I’m being post-modern”

“What the fuck does that mean?”

“You know, there are many ways of knowing and many truths to a fact.

“Crystal clear then, how can anything be post-modern? ‘Modern’ means ‘of the present’ – ‘now’, the only possible way a work could be post-modern would be if it was written in the future, for that we will have to wait for the invention of time travel.”

He folds his arms, discussion over.

“You have a point. Anyway, you haven’t been giving me much to publish lately.”

“Ok, how about this one, it’s called ‘Rasta’:

It’s a fact

all Rastas

are born out

of dreadlock.”

“Amusing, but a bit thin, we need flesh on the bones, Slim, flesh on the bones. Besides, I’m not so sure about this slim verse thing.”

Slim drains his half full pint glass and refills it.

“Go on.” He says.

“Well, you know, the haiku has got a headlock on internet poetry and it has seventeen syllables to work with, that’s five more than a slimverse. Now I hear that someone in the north of England has come up with a new form – the ‘anchored terset’ which is essentially a three word/four line poem, the fourth line being a punctuation mark, for example:

Sky

Field

Cow

.

It’s a race towards nothingness.”

Slim drains his pint glass and leans forward, his finger poking in my direction.

“Here’s an anchored terset for you….

You

Fuck

Off

!”

He tries to storm out but because we are in a booth he has to slide along the bench seat, his stomach rubbing against the table’s edge. His T shirt rides up. At the same time the waitress arrives with a plate of nachos shaped like a volcano, a volcano spewing molten cheese lava. The waitress stares in horror at the sinkhole that is Slim’s navel. Slim shouts at the waitress:

“I thought I said ‘hold the jalapenos’!

We watch him leave, on his back Paul Simonon slams his Fender Precision Bass into the stage at The Palladium in New York city.

“He seems upset”, the waitress says, and I’m thinking:

I can’t see

the pulled pork,

she forgot

the pulled pork.

 

After all

that bother

she forgot

the pulled pork.

 

 

Reference:

http://www.theguardian.com/books/booksblog/2016/feb/04/a-brief-guide-anchored-terset-poetry

 

 

 

Golf, Of Mice and Musicians, Another Bull Simile

Well, April-Month of Slim is slowly drawing to a close and this blog is starting to feel like a seaside resort at the end of the season…

a rain-swept pier

all the tourists gone

a few locals

bending into the wind

et moi, I am feeling a vague ennui, a certain je ne sais quoi and I have this urge to use every hackneyed French phrase I know in a pathetic attempt to sound world-weary, like I’m sitting in an outdoor café, a scarf knotted at my neck, smoking a Gitane and nursing an existential crisis.

Right so, more 12 syllable madness, here we go, something new, something old, something revised:

Golf

 the one sport

that demands

blandness from

its heroes.

 

And No Tom

 Danger Mouse

Modest Mouse

DeadMau5. It’s

all Jerry…….

 

Party Animal

 he walks in

the room like

a bull to

a paddock

 

the air shifts

nervously

eyes lower

bells jangle.