a ghostly whoosh echoes down the open pipe a toilet flushing
in a neighbor’s house uphill yes, we are all connected.
I hardly ever do this but here’s a challenge to all you poets out there: write a poem about plumbing. There are no rules, write about anything – an ode to your favourite plunger, a sonnet about a dripping tap, a haiku about flexible hoses!
Link back to this post if you like, so I can read your poems.
Myron volunteered once as a caretaker on an island in the middle of a lake in the High Andes, North of Puno, the Altiplano.
The top of the island was as flat as an anvil and every day he would climb up there from his lake side cottage to study the funerary towers of Silustani over on the mainland, using his large binoculars.
It was never quite clear to Myron what exactly he was taking care of. He had a house, a dread-locked alpaca and three guinea pigs. The guinea pigs were housed in a wired compound, inside the compound was a miniature mud hut with a thatched roof and three open doorways which the guinea pigs retreated through every time he approached. He thought that, perhaps he was supposed to eat the guinea pigs it was clear that they thought this also.
Located close to the funerary towers were the remains of an Inca temple worshipping the Sun God, at that time in his life Myron was losing faith in atheism and the Inca worship of the sun god had a certain logic to it. Without the sun where are we? Where are we, indeed! He wasn’t overly keen on human sacrifice but he had to admit that the Incas dealt with the blood well, channels and drainage being an Inca thing, knowledge they acquired along the way. Subjugate, assimilate, and so it goes forever.
Myron thought he would use this time to write but mostly he sat looking at a blank page listening to the tinnitus in his left ear roar and in the absence of his fellow human beings he began to think that the alpaca was judging him, the way it stared at him from under its matted fringe and down its long nose.
One night he found himself shouting abuse at the alpaca.
The next day he left for Puno and got drunk on gassy lager in a pizzeria on the ragged, dusty town square
In the city of Nha Trang, Vietnam at the National Oceanographic Institute among tanks cramped with circling neurotic fish (Hit the glass. Stop. Turn around)
there is a multi-colored specimen whose toxin, according to the description, renders its victims
“unconspicuous or even dead”.
Conspicuous behind glass further north in the Hanoi War museum
lie the dog tags of dead American soldiers
to a man young, buzzcut and hopeful.
This poem was written a number of years ago, after a visit to Vietnam. The news out of Ukraine this week, for some reason, made me think of that visit and what happens to a whole generation on either side of a conflict when leaders decide to go to war.
It appeared in Open Link weekend over at earthweal.
The Trucker Convoy Protesting Vaccine Mandates Crosses Burrard Street Bridge
as seen from the park below the trucks look like toy trucks driven by children which is partly true given that the logic of their rhetoric resembles that of a petulant child and I’m being hard on petulant children
the blaring horns sound like the dying groans of white male supremacy the Canada geese look puzzled the crows go crazy in the trees.
Taking part in open link weekend over at earthweal
not the kind of place for revelations, then boom! awooga! there it is, the unbearable flatness of beige pancakes in the morning.
Over at dverse , Grace’s challenge is to write a wayra incorporating onomatopoeia. What’s a wayra? I’ll let Grace explain:
“The Wayra (Quechua – wind) is a popular verse form of Peru and Bolivia. It appears it originated in an indigenous Quechua language but has found its way into Spanish literature. It is a short syllabic verse form found at Vole Central and some other sites around the internet.
The elements of the Wayra are:
1.a pentastich, a poem in 5 lines. 2.syllabic, 5-7-7-6-8 3.unrhymed.”
Given the week that it is, I decided to bring this poem back from the dead…..
Thom Yorke takes a walk on Halloween Night
The dead move slowly
through the graveyard,
they are few at first
but as they pass
each row of headstones
grey fists punch
through mounds of earth
in a manic salute
and the throng grows
and the throng grows
and the night howls
and the fog curls
and a thin cloud
bisects the moon
and at the edge
of the graveyard
is an old well
and at the bottom
of that well
is a little boy
and that little boy
is crying for help
and that little boy
is Thom Yorke
it’s a name that you come across
in someone else’s bathroom
beside the shaving cream
the Tylenol
and those pills that people use
and suddenly
you’re soaked
in melancholy
from your head
down to your shoes
there ain’t no doubt about it
there ain’t no doubt about it
you’ve got those Estee Lauder blues.
that’s what Myron’s mother called him – a reasonable facsimile , of his brother, that is, in that his brother was preternaturally unreasonable if his brother was the weather his mother said he would be deemed unseasonable his actions were incomprehensible reprehensible, irredeemable so based on the principle that no praise is too faint Myron was amenable to being called a reasonable facsimile of his brother.
up on Dunbar Street the barber shops are empty a guy smokes a joint
and laughs hysterically at the blank screen of his phone
when asked if the melon is ripe the girl behind the counter at the Chinese-Canadian Deli sniffs the pale green globe, shakes her head and pointing to a small beige circle, says:
this is the melon’s bottom the melon is ripe, when the bottom smells sweet.
outside the traffic stalls on Dunbar Street
Sherry over at earthweal asks us: “Tell us about the places you hold most dear in the corner of the planet where you live. Share them with us; let us see them through your eyes and your words”.
I live just off Dunbar Street and to be honest, the street is more than a tad prosaic, even if the real estate pamphlets call it “bucolic”. But if I don’t put Dunbar in a poem, who’s going to? So these are two slices of Dunbar life. By the way, for some reason, there are more barber shops on Dunbar than the population could possibly need.
a raven rising above the trees seen from a boat on the swirling river leads the tracker to the bodies
**
avoid foliage excessive leafiness too many trees the reader needs to see the poem
** The leaves on the trees bordering the soccer field have abandoned that chlorophyll thing and are leaking yellows and red like a paint store catalogue
**
The sun drops behind the ridge of the house the wind goes crazy in the trees, the moth balls smell like halitosis on the warm neurotic breeze.
**
Paradise as advertised: a coral reef a bluebottle sea sting rays undulating pelicans plummeting palm trees swaying in the reggae breeze
**
Life’s like that from time to time you bark up the wrong one.
Brendan over at earthweal asks us to ” spend some time and thought in our hearts with trees, for nurture, communication, grace and grief. You decide.” I’m not much of a nature poet so I searched my blog for references to trees and came up with the above collage (?).