Tag Archives: writing

Party Animal (Slimverse* – The Journey, Episode 2, nostalgia for simpler times)

Party Animal

in he walks
like a bull
checking out
a paddock

the air shifts
nervously
eyes lower
bells jangle

Back when times were simpler…..

(Episode 1 is here)
The following is a memory and like all memories it’s under constant revision. What’s significant I think is that it was the first time I realized that Slim was taking this whole slimverse thing a bit more seriously than I was. As I remember it……..


I invited Slim and the rest of The Poet’s Circle over for a few drinks to celebrate something, I can’t quite remember what it was and to be honest, it doesn’t matter.
The evening began relatively smoothly with an intense discussion about accessibility (no surprises there) and I made an emotional speech about the end rhymes in Leonard Cohen’s song, “Suzanne”. The conversation moved on to verse forms – cinquains, tankas, sestinas, haibuns, what happens if one turns a haiku upside down -fascinating stuff. Then Slim chimed in and asked where our own invention, the slimverse, fitted in to this pantheon. There was an awkward silence. Eventually, The Accomplished Poet spoke up. I should add that he is indeed accomplished and his compact vivid poems, mostly about his garden, have been widely published. He politely suggested that perhaps a 3 syllable line was too limiting, that making poetic music with such a restriction is quite difficult.
Now there was another kind of silence, the kind that ensues when a lion tamer drops his whip. Slim said quietly “fuck you and your fucking garden” and aimed a punch at The Accomplished Poet’s head, who, perhaps because of all that work in the garden, is quite agile. He ducked Slim’s punch and kicked him adroitly in the crotch. When the applause died down and Slim could speak again, he uncharacteristically apologized and gave The Accomplished Poet a hug, a doubtful pleasure given Slim’s personal hygiene issues. The evening ended on a happy note with a raucous rendition of “Suzanne”, everyone hitting the end rhymes hard.
Later that night Slim and I wrote the above poem which stretched the slimverse form to two verses. History in the making.

(*Slimverse – four 3 syllable lines)

Getsemani

Getsemani

In the afternoons, in Parque del Centario
turkey vultures soar on the updrafts
parrots and monkeys hang out in the trees
a malevolent iguana roams.

This where the slaves came in from Africa
and the gold left for Spain.
San Pedro Claver ministered to the slaves
gave them sanctuary and religion
protected them from the Spanish,
when he could,
so it’s not all bad news.


Pope John Paul Two visited Cartagena in 1986
and apologized for the Inquisition.
There’s a statue of him in one of the squares.
It’s not a Botero.


In the back of a restaurant
in Getsemani,
a girl with magenta hair
is singing “Losing my Religion”,
the lines the singer sings
cross the room
like planes in a cubist painting.

That’s Slim in the corner.

He lost his religion some time ago,
he thought the punishment
for impure actions, impure thoughts
was excessive, at a time when
he was all impure actions, impure thoughts.
He imagined going down to hell
and meeting Adolf Hitler
who would say to him:
What are you in for?
And he’d reply;
Impure actions, impure thoughts.
And he knew, he just knew
that Adolf would scoff.

Taking part in Open Link over at dverse

Image is photo of Graffiti, in Getsemani, Cartagena, Colombia.

Could AI write a Novel

A more relevant question would be : Could AI write a good novel? And the answer would be: Probably not!

Novels aside, I have always wanted to draw cartoons but I don’t have the drawing skills so when WordPress added the ability to generate images using AI, I thought this is my chance. A fat chance it turned out to be . The instruction I gave for the image above was AI writing a novel. Hard to tell what that robot is doing but it has some pencils nearby in a cup, one has an eraser, very old school!

For a recent post, which I have since deleted, I put in an instruction to generate an image of Donald Trump leading a flock of sheep off a cliff. This what AI generated:

Not bad but Donald appears to be leading the sheep away from the cliff’s edge and what is that sheep’s head doing on Donald’s lapel? And that electrical pole in the background, is it connected to anything?

So I tried keeping it simple and just wrote “sycophants” as an instruction. These folk turned up:

I don’t know…is it a birthday party?

So I tried the opening line of my favourite joke….A giraffe walks into a bar…

Well that’s a little better, it’s a giraffe and a bar. Of course you all know the punchline.

AI can generate the obvious but can it create humour? To use a music analogy, AI is the equivalent of a cover band, it can at best produce a copy of what has gone before. But can it take what has gone before, throw it up in the air and create something original?

I for one…….

Neil Young and those “lorries rolling by”

Old man lying by the side of the road
With the lorries rolling by
Blue moon sinking from the weight of the load
And the buildings scrape the sky
Cold wind ripping down the alley at dawn
And the morning paper flies
Dead man lying by the side of the road
With the daylight in his eyes

When I first heard this song (“Don’t let it Bring you Down”), I thought : “What’s with the ‘lorries’ , Neil? I mean you’re a Canadian, living in California, should they not be ‘trucks’?”

A side note: The word ‘lorry’ is a word used in Britain and it comes from the verb “to lurry”, meaning “to pull or drag”.

On reflection:

Of course, if he used “trucks”, it wouldn’t scan, but he could have sang “big trucks rolling by”. However, as we all know, Neil is a poet and the answer lies in his ear, not for music but for the music in language.

Consider the letter ‘L’, it appears in every line of the verse: “old, lying/ lorries, rolling/blue, load/ buildings/ cold, alley/ flies/ lying/ daylight”.

Consider the letter ‘O’ as in assonance, look at its role in the first three lines: “old, road/ lorries, rolling/ moon, load”; its repetition in lines 5, 6, 7: “cold, down/ morning/road”.

Consider the inversion, how the “lor” in ” lorries” becomes the “rol” in “rolling”.

No, “trucks” would just not hack it.

Phew! Glad to get that out of my system, otherwise, after a few pints I might start regaling my wife and two daughters with these insights and have to watch them getting that “beam me up Scotty look in their eyes”.

Photo (by Marie Feeney): Neil and Paul McCartney at Desert Trip 2016.

Taking on Open Link over at dverse. (This is not a poem obviously, but it is about poetry so I hope it fits!)

Vapid Magazine : A Personal Note ( from current editor, Jonathan Shallowpond)

A Personal Note:
Jonathan Shallowpond, editor of Vapid Magazine, here, I’ll get right to the point. My wife kicked me out. Said she was tired of supporting me. Told me to go get a job. I told her that I had a job, that I was editor of Vapid Magazine. She said ‘I mean one that pays f***ing money.”
So here I am living in my parents’ basement, sleeping on a camp bed. My dad’s okay with it but my mother keeps giving me that “you should have done medicine or law” look.
It’s not too bad except the basement doubles as a rehearsal space for my dad’s band which consists of my dad, Johnny Shallowpond Senior on guitar and vocals, his friend Slim on bass and his friend Jake on drums. They rehearse twice a week in the afternoon which means I have to put my headphones on while I’m writing but they play so loud that it’s impossible to concentrate.
I’m not sure what they are rehearsing for because they don’t do gigs, I guess they are just jammin’. Their name changes every couple of months. They started off as The Liver Spots , then it was The Good, the Bad and the Varicose. Currently it’s Johnny Statin and The Beta Blockers and they keep playing the same song which they wrote to the tune of the Doors’ song, ‘Riders on the Storm’. It’s called “Geezer in the Pool”. It goes like this (my dad shouts out chord changes between the lines):

Geezer in the pool
EM! A!
Geezer in the pool
EM! A!
He’s got his swim trunks on
C! D!
He’s got his swim trunks on
EM! A!
Like a flag without a pole
A fish without a shoal
Geezer in the pool.
EM! A!

That’s it, that’s all they’ve got. They just keep repeating the same verse and then occasionally my dad tries a guitar solo and they all break down in hysterics. .
But, you know, we share a few beers after and have a chat so it can be a nice break from my work bringing vapidity to the world.

There’s one thing that puzzles me a bit though. Every now and then, my dad sits me down and says:
“You know, son, your mother and I are not getting any younger”
I mean. What’s with that?

at night
basement drafts
drumkit cymbals tinkle

Keeping it Vapid!
Jonathan Shallowpond

Taking part in Open Link over at dverse.

B. Ramble And The Hedgerows

B. Ramble And The Hedgerows

Proud purveyors of country music
to the English public,
English country music, that is:
no wide open prairies
no dogies that git along
no bucking broncs
no honky tonks
no pick-up trucks;
the occasional encounter
with a fox, a badger, a stoat….
perhaps,
but that’s as wild as it gets.

Why, you must all recall,
“Round Here, All the Cows are Called Daisy”,
the Hedgerows’ greatest hit,
written by Mr. Ramble himself
or Bert, as his friends call him.
Bert collects all the royalties
and the Hedgerows seem to be okay with that
except for Eric, the bass player
(why is it always the bass player?).
“What’s up with him?” Bert often asks,
“All he has to do is stand there hitting C”.

Bert’s not a man for rules,
he has one rule and one rule only –
no cheating songs,
just not his style,
he’s a happily married man.
There are rumors though,
sightings of Bert hanging around the backdoor of the rectory
while Vicar Derek is conducting a service;
glances exchanged with Derek’s wife, Cynthia,
while passing in the street.
Just rumors, his friends say,
what could he do in the forty minutes
it takes Derek to complete the service
and shake hands at the door.
Au contraire, Bert’s detractors say
Plenty of time, Bert’s detractors say

for a man who has mastered
the art of the three minute song.

Taking part in Openlink over at dverse.

Golf, Flying Saucers and The Planet Odd (2)

Golf, Flying Saucers and The Planet Odd

The end of the world has come and gone
but you remain standing on the eighteenth tee
feeling the gravitational pull of the Planet Odd
there’s no smoke without mirrors, you remark
and looking down you notice that you’re still wearing
a green polo shirt
your favorite plaid shorts
and your faded white golf shoes.
Golf is the only sport that requires blandness of its heroes
you think
and then you think …where is this shit coming from
and shouldn’t that be “demands blandness”?

There’s a low hum, you look up,
a large flying saucer hovers over the trees
to the left of the fairway
on top of the saucer is a giant inverted tea cup
complete with handle
a door opens in the side of the cup
and you’re sucked up, through the door
and into a room that looks remarkably like
the original Star Trek control room.
A guy who looks like Leonard Nimoy
walks over and says:

“How’s it going?
We’re from the Planet Odd or to be more formal, Earth 2.
You see, the Creator royally fucked up his first attempt
so we are the newer model, the second attempt.
Still a few things to work out, but we’re not doing badly at all.
We have created some illusions to make you feel at home,
but first things first , amigo.
Can I call you amigo?”
You nod.
“First things first, amigo, let’s get rid of those plaid shorts!”

This poem was inspired by a challenge from Brendan over at the now defunct Desperate Poets :

“Here’s the challenge: Start with two oracles. You can follow my lead and use The Aenead as one source if you have a copy, but any classic text will do — the Bible, Shakespeare, a volume of your favorite poet or one on Native American myth, whatever. Open the book blind and let your finger fall where it may on the page and write down whatever lines you struck on. Or deal a Tarot card or iChing hexagram. If you don’t have any such tools at home, there’s a random Tarot card generator at https://randomtarotcard.com/. You can try an AI version of the Delphic oracle at < https://delphi.allenai.org/&gt; and there’s an I Ching hexagram generator at https://www.eclecticenergies.com/iching/virtualcoins.

Next, cast a more self-referential oracle from something you created, a poem or journal or dream. Source a few lines in the same accidental manner.”

So I went to my book shelf , picked a book – “Daddy, Daddy” by Paul Durcan, opened a page and let my finger fall on the two lines that start the poem above. I then went to “Notes” on my IPhone which is where I record random lines, sayings, thoughts and found “the gravitaional pull of Planet Odd” and “there’s no smoke without mirrors” and I took it from there. Lots of fun, thanks Brendan!

(the Paul Durcan poem that provides the first two lines is called : The Martyrdom of Saint Sebastian.)

A Scarecrow Looks Back on his Life (Redux)

IMG_1274 (2)

A Scarecrow looks back on his Life

Before Oz
I had control of my life
I had a purpose
a reason for existence

a modus operandi:
stand in a field
and scare crows
that’s it, that’s all.

It was lonely at times,
I admit, particularly
at night, but occasionally
a farmer returning

drunk across the fields
would stop and tell me his life story
then fall asleep, snoring
and farting at my feet

and yes, oh yes
I listened in on
acts of intimacy
on hot summer nights

and heard sounds
that made my straw curl;
then Oz occurred
and it was no longer

about presence
it was about absence
the absence of a brain;
children would circle me

and sing that stupid song
suddenly I was pathetic, forlorn;
what got me most was the
sheer illogicality of it all –

to yearn for a brain, one must
have a brain to begin with,
sometimes, I think the sole function
of a brain is to yearn…..

hang on a minute
I’m sure I saw that same crow yesterday
Look! He won’t come within twenty feet of me!
I’ve still got it! I’ve still got it!

The Parrot in the Liquor Store (Wild Thing)

The Parrot in the Liquor Store (Wild Thing)

I’m standing in the liquor store
staring at a bottle of Pinot Grigio
when Wild Thing by the Troggs
comes on the store speakers
and I’m thinking, to quote Leonard,
that song is a shining artifact of the past
and just as I’m thinking that
one of the Troggs launches into
a bizarre ocarina solo
and I turn around to find myself face to face
with a large blue and yellow parrot
perched on the leather-gloved hand
of a lady who has seen hippier times
never at a loss for words, I say,
“that’s a nice parrot”
and the lady says
“I have three more at home
one of them is a real man-hater
but this one here is my favowite
he’s a vewy, vewy, vewy nice pawwot”

she says, nuzzling the parrot, nose to beak
the parrot inflates its technicolor plumage
let’s out an almighty squawk
and displays its full wing span
and I’m thinking
Wow, there’s a ocarina solo in the middle of Wild Thing,
who’s that on ocarina
I think it’s the lead singer
what was his name,
Reg Presley, I think,
yeah, that’s it
Reg Presley.”

The Day I took my Algorithms for a Walk

The Day I took my Algorithms for a Walk

A clear day
radio waves
crisscrossing the sky
new messages from new gods
new messengers for the old gods.

A clear day and I’m taking my algorithms
-Spo’fy and N’flix, as I affectionately call them-
for a walk.

You’re probably wondering what an algorithm looks like. Well, that’s why I’ve switched to prose. They are basically stick figures with a series of parallel horizontal lines projecting from their spines, “spinickles”, they are called. They have glass balls for heads. When all the spinickles light up , the glass ball flashes “one”, otherwise it flashes “zero” . They are not great conversationalists as you can imagine but I’m taking them for a walk because I have bones to pick.

“ Hey Spo’fy”, I exclaim, to get things started, “ what’s with all this Dad Rock. I listen to Bad Moon Rising once and I’m inundated with Creedence. Also, please no more Zeppelin, I can’t stand Robert Plant’s voice, way too much bombast. ‘All rock and no roll’ , to quote Keef. Hendrix didn’t like them either!”

Spo’fy turns to me and his glass head starts to scroll the lyrics to Stairway to Heaven.

“Oh, so you’re a comedian now!”.

I turn to N’flix.

“And you” I say in what I think is a measured tone” enough with the romantic comedies. I know the tropes inside out. Unlikely couple falls in love, halfway through the movie they have an argument and break up. They each are comforted by a quirky friend, played by a member or ex-member of the SNL cast. A year later they bump into each other on the street, fall in love again, live happily ever after.”

N’flix turns to me, a circle revolving in the glass ball of his head. It revolves for a minute, then there’s a loud “Tadum”. Then the circle revolves again and one minute later….another “Tadum”!

“Oh, so you’re a comedian too”, I shout, “what’s your stage name – Al Go Riddum?”

A man walking by with a dog stares at me .
The dog barks in the direction of the Algo’s,
the dogs know
the dogs know
two clouds appear in the sky
one with the face of Elon Musk
the other, Bill Gates

if intelligence is artificial
how can we tell what’s real?

I take Spo’fy and N’flix home
they are all grown up now
they have minds of their own.

Taking part in Open Link over at dverse.

Murder at the Plant Sale

Murder at the Plant Sale

The trestle tables covered with plastic table cloths from last year
are fully loaded with potted plants
the coffee is brewing
the kettle is boiling
there is hustle and there is bustle ….
the annual plant sale is about to begin.
And unbeknownst to the organizers
some of whom are wearing rain coats that even Vera would have thrown out,
unbeknownst to the organizers
beneath one of those trestle tables
covered by a tarp and a pile of those black trays used for carrying plant pots
lies the body of a local man called Jeff
seeds already germinating in that gash on his neck.
People will later talk of a heated argument the night before
between Jeff and a member of the committee
something to do with the best time to plant grass
but now he lies unnoticed and the plant sale is in full swing
speaking of Vera…
Doris, the local detective
who watches way too much British crime drama
and who styles herself on Vera
right down to the tatty rain coat and the old jalopy,
receives a tip from an anonymous caller,
something to do with a body at the plant sale.
She arrives when the sale is still in full swing
and the crime scene is beyond contaminated.
“Who’s in charge here?” says Doris.
A burly woman in a tatty raincoat steps forward and says:
“I’m Joan and I’m in charge and you’re on teas,
remember to put the milk in first
or you’ll crack the china”
Doris shows her badge and Joan snorts:
” No discounts, badge or no badge
and it’s cash only.
Also, we have no butter
so tell them they don’t need butter on the scones.”
And Doris thinks:
“This one could take more than one episode to solve.”
Then there’s a milk-curdling scream,

someone has looked under the tarp for more black plastic trays.
The theme music starts…..

Taking part in OpenLink over at dverse.

The Dryer Vent Invasion (Again)

The Dryer Vent Invasion

Last night I dreamt
that Jared Kushner and Stephen Miller
had entered my basement
through the dryer vent,
maybe “entered” is the wrong word
it was more an “insinuation”,
a slithering, under the vent flap
down the plastic vent hose
and into the dryer drum
where they paused briefly
to cough up some lint
before pushing open the dryer door
and oozing out onto the basement floor.

In the morning I went down to check the basement
feeling more than a little anxious.
it was empty, nothing had changed.
I sensed movement
out of the corner of my right eye
I turned, but there was no one there.
I sensed movement
out of the corner of my left eye
I turned, again there was no one there
but there was a smell
not the usual one, from that sock
abandoned at the bottom of my gym bag
this was rancid, pungent, acrid, fetid, halitotic
with a hint of damp weasel…….
the smell of venal ambition.

Jared is back in the news again, so I thought I would give this one another run.

Moon Rant

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Moon Rant

Here I am
a cheddar searchlight in the sky
waiting for the arrival of man
with his small steps and giant leaps,
his garbage can machines,
his religion, his culture, his competing ideologies,
his self-aggrandizements, his bragging rights, his racism,
his greed, his pomposity, his self-importance,
his astronauts named “Buzz”.

I tell you, colonization never works out for the colonized.
I have no desire to be turned into a destination for space tourists
or a land fill or, more accurately, a moon fill.

What’s in it for me?
Where’s the re-mooneration?

They say that nature abhors a vacuum
well, I can handle a vacuum
it’s vacuity, I abhor.

This is a rework of a previous post prompted by a challengea while back from Sarah over at dVerse to write a piece of prosery, of flash fiction (limit 144 words) incorporating the phrase “I dreamt I was the moon” from a poem by Alice Oswald.

Taking part in Open Link over at dverse.

The Ogre at the Gates of Democracy (with added commentary)

The Ogre at the Gates of Democracy

The Ogre is at the Gates of Democracy
and we….. we are trembling on the ramparts,
armed with water pistols and toy rifles,
back in the castle
our jesters jest
our jesters taunt
our bards sing songs of ridicule
but no one’s fooled.

The Ogre lowers his orange head
and charges once more
behind him the assembled hordes froth and roar
froth and roar
behind him the assembled hordes
froth and roar.

Well, that was all a bit melodramatic, wasn’t it? On the other hand…….. this month The Atlantic magazine devoted a whole issue to the question ” If Trump Wins”; 24 articles in all, predicting the effect of a Trump victory on everything from NATO to anxiety. In addition there’s an essay by Tim Alberta on The Church of America (My father, my faith and Donald Trump). It’s worth buying the magazine for that essay alone, that is if you want to know why White Christian America would embrace a sinner like Trump.

But what got me most about the articles and essays, despite the erudition, insightfulness and eloquence, was that it all seemed like a collective throwing up of the hands; a feeling of despair, failure and powerlessness . I know journalists love a narrative but come on now……and then I thought of Amy Klobuchar who, when in a CNN interview prior to the last election, was asked what she was going to do about the limited number of polling stations in known Democratic Party areas in her state, said that they had it covered, they were organizing buses, rides, they would get people to the polls. In other words, they were organizing, taking action. Analysis can only go so far.

Taking part in OpenLinkNight over at dverse.

The Ghost of Hangovers Past ( Christmas Blues)

The Ghost Of Hangovers Past

Your cell phone rings
but you’re not listening
because you left it
in The Fox and Vixen
behind the cistern
in the last stall on the left
next to the condom machine
and now it’s 4 am
your wife sleeps soundly beside you,
in the corner of the room
your hangover squats
sorting a tray of instruments.

It all began with a few beers,
some Christmas Cheer
so how did it get
from there to here?

Slowly you remember or think you remember….

Did you really poke your boss in the chest
and tell him that you know better
that you know best?

Did you really down three shots of scotch
grab Mark from marketing by the shoulders
and proclaim “I love you bro”
over and over ‘till he begged you to stop
to let go?

And why, why, why
did you call that shy Dutch girl from accounting
“sad-eyed lady of the lowlands”
again, over and over?

You groan inwardly
you groan outwardly

and just when you think
it could not get worse
your hangover stands up
and crosses the room
carrying what appears to be
a small mallet
Zooooosh,
he enters your head
and proceeds to knock on the inside of your skull
with that same mallet
all the time chanting this manic mantra
“deck the halls with human folly
Fa la la la la, la la la la”.

Four hours later your wife is shaking you
Up you get, she chimes
It’s time to do some Christmas shopping!
Joe Fresh opens at 9!

This poem turns up every Christmas, taking part in Christmas Blues over at Desperate Poets.

Advice to myself on the subject of writing poetry after a number of years trying to write poetry

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Advice to myself on the subject of writing poetry after a number of years trying to write poetry

Avoid the polemic, the rant,
the bromide
be all you can be
avoid the hackneyed phrase
the weak-kneed phrase
the self-consciously poetic line
the moon, a pale orb in the evening sky
never call the moon “an orb”
never call the sun “a fiery ball”
your waves should not
crash on the shore
they should collapse
like marathon runners
avoid foliage
excessive leafiness
too many trees
the reader needs to see the poem
and remember it’s unlikely
that your poem
will be an agent of change
no one is going to march through the streets
chanting your poem
unless your poem is a three word slogan
but your poem can chronicle change
and  the lines should resonate
should generate heat
meanwhile concentrate on
impressing yourself
avoid lines and rhymes ending in “ution”
the rest will take care of itself.

The prompt from Brendan over at Desperate Poets is as follows:

For this challenge, write a poem about your creative process.”

” Is it a different animal now than when you first decided to make writing poetry a vocation?”

This poem is an edit of another poem which was a response to another prompt from Brendan, back in the earthweal days . That man is The Prompt Master!

Easons Book Store

Easons Book Store

Just after graduating from university
with a degree and no job
I had time on my hands
so I would take the 46A bus into the centre of Dublin
and read poetry in Easons Books Store.
Why poetry?
Well, it’s hard to browse a whole novel.
It was there I learnt ironic distance
from TS Eliot and Roger Mc Gough,
It was there that I learnt from Sylvia Plath
that rhyming doesn’t have to be doggerel
It was there I learnt from Robert Lowell
writing about the woe that is in marriage
that a poem could be a novel
that a poem could cover the same subject matter
as Updike, Bellow, Roth, Heller
that poems
don’t have to be about peat bogs and Celtic mist
and that all good poems contain lines
that snag on the brain
like wool on a barbed wire fence
and all for the price of the bus fare there and back.

Taking part in Open Link over at dverse.

This poem was inspired by a prompt over at Desperate Poets, where the incomparable Brendan asks us to “consider what influenced you as a poet and what you have done with those influences as you have grown and developed in your work. What bid you fly, where have you flown and what are you still looking for?”

If you haven’t done so already, check out Brendan’s blog, he puts out one prompt a week and they are always intriguing and inspirational.

The picture above shows that I did eventually buy some books!

Living Off The Grid

Living Off the Grid

The sun with rare generosity
beats down on the solar panels
on the roof of Vincent’s log cabin.

The first sentence of his organic novel
The abattoir, for once, was silent
sits alone on his laptop screen.

This is the seed from which will spring
plot, character, content.
He gets up, walks out through the kitchen door

through the tortured arch of his driftwood arbor
and into the vegetable garden
where he urinates in a jagged arc

sprinkling life-giving nutrients
on the unsuspecting butter lettuce.
Returning to his desk

he taps out another sentence:
With his mother’s mop, he wipes
the blood from the kitchen floor.

Why so morbid?
It’s warm, he’s feeling drowsy,
he detects a faint signal from a long-dormant source

like the distant ping from a submarine
at the bottom of the ocean.
He should invite someone for dinner,

the lady who sells jam at the Saturday market, perhaps,
or the angry sculptress – she of the tangled hair,
the scrap metal raptors, the acetylene scent.

The jam lady it is.
Bottle of wine from the retired lawyer’s vineyard,
salmon from the gnarled fishermen down at the dock,

try a little humor,
ask her if raspberry jam is a male preserve,
make a nice salad. What’s the worst that could happen?

This poem first appeared a little while back in “The Basil O’Flaherty” .

It was also published previously on this blog, thought it was worth another look.

Living Off The Grid/ Rooster Gallery

 

 

 

 

Living Off the Grid

The sun with rare generosity
beats down on the solar panels
on the roof of Vincent’s log cabin.

The first sentence of his organic novel
The abattoir, for once, was silent
sits alone on his laptop screen.

This is the seed from which will spring
plot, character, content.
He gets up, walks out through the kitchen door

through the tortured arch of his driftwood arbor
and into the vegetable garden
where he urinates in a jagged arc

sprinkling life-giving nutrients
on the unsuspecting butter lettuce.
Returning to his desk

he taps out another sentence:
With his mother’s mop, he wipes
the blood from the kitchen floor.

Why so morbid?
It’s warm, he’s feeling drowsy,
he detects a faint signal from a long-dormant source

like the distant ping from a submarine
at the bottom of the ocean.
He should invite someone for dinner,

the lady who sells jam at the Saturday market, perhaps,
or the angry sculptress – she of the tangled hair,
the scrap metal raptors, the acetylene scent.

The jam lady it is.
Bottle of wine from the retired lawyer’s vineyard,
salmon from the gnarled fishermen down at the dock,

try a little humor,
ask her if raspberry jam is a male preserve,
make a nice salad. What’s the worst that could happen?

 

This poem first appeared a little while back in “The Basil O’Flaherty” .

It was also published previously on this blog, thought it was worth a second look.

Taking part in open link night over at dVerse, check them out here.

 

 

 

News and Weather

Check out this beautiful piece by Laura Morgan….she sets a pretty high standard!!

Laura Morgan's avatarA Remote View

1

The dunes harden. That’s what she notices first. There’s no plunging down them to the beach; their surface sparkles, almost slippy. On the track the sheep have made up the headland, the hoof prints in the mud freeze. Britain plans to sail a warship through the South China Sea.

2

Even at noon it’s still white. The only enclaves: under bracken, behind walls. The dog kicks up a cloud as he runs, and where long grass has toppled, it freezes in waves that scrunch under her boots. The body of seven-year-old girl is found in waste bin in Kasur.

3Ice on beach

The puddles in the yard freeze. They trap marbled skies beneath their surface. They are last week’s skies, when it rained and rained. Above her now is clear blue. Risk of nuclear war is at its highest since the Cuban missile crisis.

4

The rabbits stay in their burrows…

View original post 283 more words

Reservation (is The Daily Prompt destroying my life?)

via Daily Prompt: Reservation 

Ok, maybe that’s a bit melodramatic but I do have a reservation about The Daily Prompt, because as I write this I should be writing something else. What happened to the posts I was going to write about Courtney Barnett, about Death Cab for Cutie? What about the poems I should finish and submit to a magazine? What about getting a collection of poems together? What about facing the fact that I may not have enough good poems to warrant a collection? What about those song lyrics sitting around waiting for a collaborator? What about “The Lad Poetry Project Revival” ? Instead I am thinking about a daily prompt from a week or two back –“meager”- which didn’t inspire me at the time but then this emerged:

Edgar

Meaghan loved her job,
the compensation was meager
but that didn’t bother her
what bothered her
was her relationship with Edgar;
she felt beleaguered.
“What the hell is wrong with you”,
Edgar raged, on a regular basis,
and all she could think of was:
Isn’t “raged”
an anagram of Edgar?

Then there are the endless revisions. I usually like to let a poem sit for a while, sometimes years, but The Daily Prompt requires an immediate response which invariably means I am rarely satisfied with the poems generated. Take “Confess” for example, I was moderately pleased with one image in the poem but the rest seemed a bit ad hoc, so here is the revised poem, so I can forget about it and move on.

Confess

a sliding hatch
a priest’s profile
through a wire mesh screen
forgiveness, absolution;
will I do it again?
absolutely.

 

Rooster Gallery / Living Off The Grid.

 

 

 

Living Off the Grid

The sun with rare generosity
beats down on the solar panels
on the roof of Vincent’s log cabin.

The first sentence of his organic novel
The abattoir, for once, was silent
sits alone on his laptop screen.

This is the seed from which will spring
plot, character, content.
He gets up, walks out through the kitchen door

through the tortured arch of his driftwood arbor
and into the vegetable garden
where he urinates in a jagged arc

sprinkling life-giving nutrients
on the unsuspecting butter lettuce.
Returning to his desk

he taps out another sentence:
With his mother’s mop, he wipes
the blood from the kitchen floor.

Why so morbid?
It’s warm, he’s feeling drowsy,
he detects a faint signal from a long-dormant source

like the distant ping from a submarine
at the bottom of the ocean.
He should invite someone for dinner,

the lady who sells jam at the Saturday market, perhaps,
or the angry sculptress – she of the tangled hair,
the scrap metal raptors, the acetylene scent.

The jam lady it is.
Bottle of wine from the retired lawyer’s vineyard,
salmon from the gnarled fishermen down at the dock,

try a little humor,
ask her if raspberry jam is a male preserve,
make a nice salad. What’s the worst that could happen?

 

This poem first appeared a little while back in “The Basil O’Flaherty”.

 

 

 

Another Go at Autumn/ Andrew O’Hagan at the Vancouver Writer’s Festival.

 

 

Autumn

The leaves on the trees

bordering the field

have abandoned

that chlorophyll thing

and are leaking

yellows and red

like a paint store catalogue.

 

I have played around with this poem a few times in previous posts, some poems are never finished,  I guess, they are just resting. Perhaps, in the case of this poem, it’s because the subject was pretty much nailed by John Keats in 1819 at the age of 24.

John Keats

My friend, the poet Slim Volume, once gave me this advice:

Avoid autumn and death,
They’ve been done before;
There’s little more to say
On either score.

Also, waves like marathon runners
Collapsing on the shore,
The inexorable march of time,
Don’t go through that door.

Autumn in Vancouver means it’s time for the Vancouver Writer’s Festival. Last Saturday I went to see the Scottish novelist and journalist, Andrew O’Hagan, talk about his adventures as ghost writer for Julian Assange and his ultimate disenchantment with Assange,  whom he now regards as an unprincipled narcissist. He also read from some of his own novels. He talked for close to one and half hours and is an engaging, intelligent, witty speaker who in the course of his readings imitated a range of voices from Marilyn Monroe to a group of Scottish people in an old folk’s home on New Year’s Eve. But it was a question he took at the end that more than anything else stuck with me long after the talk ended.

He was asked by an audience member whether he thought that the internet and the platform it provides for self publishing through blogs, websites etc was a good thing in general for English literature in that more and more people are now writing fiction, poetry etc. He replied that initially he thought that it was a good thing but now he wishes it would stop, primarily because of the poor quality of what is being produced. Writers are not taking the time to edit and re-edit their work, they are in rush to get something out when maybe they should be waiting. Writing, like all art, requires hard work, diligence and talent.

The next day, the sun came out after a week of constant rain, so we headed out for a walk on the beach. As we left the house, this line popped into my head: ” we walked out today to celebrate the absence of rain”. I’ve been writing haiku’s recently as a kind of mind game, a poetic Sudoku, so by the end of the walk, I had this:

we walked out today

to celebrate October,

the absence of rain.

When I got home, I went straight to my laptop and posted the poem. An hour later, I had a look at the poem again and I trashed it immediately. It was flat, wooden and had that self-consciously poetic tone  that haiku’s sometimes have. In addition, I had destroyed the rhythm of the original line by trying to adhere to a syllable count. This might have been better:

we walked out today

to celebrate

the absence of rain.

It keeps the assonance of the ‘a’s’ running through each line, plus the half rhyme between ‘today’, ‘celebrate’, and ‘rain’ and it keeps the ‘b’s’ in ‘celebrate’ and ‘absence’ close together. In addition, it’s an internet friendly length, three lines long, just the right length for clicking on and moving on.

On the other hand, I could just tuck the line away until I find a better context for it.

Is it just me, or is Andrew O’Hagan looking over my shoulder

 

 

 

2 Poems up at I Am Not A Silent Poet

Reuben Wooley over at I Am Not A Silent Poet has posted 2 of my poems. The first poem I reblogged in the post previous to this one. It’s a haiku about Northern Ireland Politics, which is quite a large subject to squeeze into seventeen syllables, but I gave it a try. The second poem is looser, maybe too loose now that I read it again, but with topical poems there isn’t time to chip away at the poem.

Both poems appeared previously on this blog, but check them out and the rest of Reuben Wooley’s excellent magazine.

Northern Ireland – The Morning After Atavism by Jim Feeney

Text Messages from the Underworld by Jim Feeney