the trees look guilty
the ocean is ill at ease
no one’s fault, but still…..
the courts are empty
no tennis ball pock pock pock
Canada geese honk
eagles isolate
my face itches like crazy
demands to be touched
and those ducks, they don’t know squat
about social distancing.
Photo “Social Distancing”
The weekly challenge over at earthweal is to write a poem around the subject: CONNECTING HUMANS, WILDLIFE AND THE CORONA VIRUS. So I thought I would throw in this one. Maybe it’s not the connection intended, but it’s still on subject, I think. Check out Sherry’s excellent post at earthweal
It’s National Poetry Month
and all across the internet
poets are dutifully posting a poem a day,
the blogosphere is loud with words
like babble, ripple, burble, unfurl
glow, glitter, shine, glisten
winds are blowing
suns are setting
dawns are breaking
waves are crashing
on every available shore
and birds, yes, birds
are chirping, trilling, twittering, even singing
nature is under siege
but I have to admit
I’m not up to it
I don’t have the diligence, the discipline
the creative bandwidth
all I want is one clear image
nailed to the page like a proclamation.
and wonders how to spin this one
how to make this one a win
in the empty parking lot of a big box store
a plastic glove pirouettes on the viral breeze
the toddler king thumbs through
The Totalitarian Dictators Hand Book
a present from that rascal, Stephen Miller
“hmmmmm….cull the herd leave the old and weak to die
already got that one going!
banish the teachers, scientists and intellectuals send them to the countryside to work on a farm
hey, that might work!”
but then he becomes a little wan, a little wistful
he wonders why he’s always the guy
standing on someone’s front lawn, shouting
“Look over here, look over here!”
while Miller and his gang ransack the house
and leave by the backdoor with the television
and the jewelry
he stares out at the White House lawn
and the suffering, beleaguered nation beyond
and thinks:
“Hey, I just realized the ‘Caps’ in Caps Lock stands for CAPITALS!!
I wonder how many people know that!!”
poster on the wall
Lennon at a piano
deconstructing Paul.
Perspective
imagine,
you, a frog
down a well,
above you
only sky.
Taking part in open link over at earthweal. This is obviously a re-post, I have not been inside a pub in Kitsilano or anywhere else for a few weeks. I was working on a few pandemic-related poems but it’s hard to keep pace with events.
The moon hung
like a searchlight
in the spangled sky
and we hung
out on
the deck.
A Whiter Shade of Pale
By the time ‘A Whiter Shade of Pale’ was recorded in 1967, Bob Dylan had already raised the bar very high in terms of what the public expected from a song lyric; song writers were now expected to be poets. This was a heavy load to carry as few songwriters had Bob’s poetic gift; as a result, bathos was everywhere.
Bathos: “an effect of anticlimax created by an unintentional lapse in mood from the sublime to the trivial or ridiculous”.
There are, as I said, many examples from that era, but the one that always stands out in my mind is from the last four lines of the first verse of ” A Whiter Shade of Pale”:
The room was humming harder
as the ceiling flew away
when we called out for another drink
the waiter brought a tray.
I have to admit that when I first heard this song I had no idea what it was about. Why are sixteen vestal virgins leaving for the coast? What is a vestal virgin anyway? Who is the miller? I still don’t know, but I don’t think it really matters. It’s best to sit back, listen to the song and let your brain feed on the images and in no time at all the room will hum harder, the ceiling will fly away, you’ll think about maybe following the vestal virgins, you’ll skip a light fandango, turn cartwheels across the floor, all the time trying to avoid that waiter and his tray.
Notes:
The recorded version of the song has only two verses, but if you google the lyrics you will find four verses. Procol Harum sometimes included the extra verses in live performances but wisely left them out of the recording; they are not very good and diminish the song’s impact. As Bob Seger once sang:
Well those drifters days are past me now I’ve got so much more to think about Deadlines and commitments What to leave in, what to leave out
Bob Seger, ‘Against the Wind’
“What to leave in, what to leave out” – whether you are writing a song, poem, novel, short story, if you can solve that one you might be on the way to something good!
Because it’s St. Patrick’s Day (week)….some excerpts from my last trip home.
Conversation (hibernoku)
a low Dublin sky
a sentence hangs suspended
cut off in its prime
interrupt or die.
‘Hibernia’ is the classical Latin name for Ireland. A hibernoku is a haiku (seventeen syllables, 5-7-5) with an additional 5 or 7 syllable line, because for the Irish, seventeen syllables is a cruel limitation. The poem must contain an Irish reference and must allude to the weather in some way. In most parts of Ireland, ‘hibernoku’ is pronounced ‘hi-bern-o-koo’, except in West Cork where it is pronounced ‘hiber-nok-oo’.
Photo: Statue of the eternally quotable Oscar Wilde in Merrion Square, Dublin.
Weather
an easterly wind
clouds move in convoy ‘cross the blue dome of the sky.
Photo: A sunny mid September day in Sandy Cove, Dublin.
Family (haiku)
yep, had a few drinks
with my brother, my sisters
sibling ribaldry.
Photo: View looking south along the coast, from Vico Road. Dalkey, Co. Dublin. Bono owns a house nearby ……where all the streets have names….I checked.
Between the caucus and the carcass
between the chaos and the calm
between the fracas and the ruckus
between the righteous and the damned
Between the priest and the sermon
between the singer and the song
no one can determine
why we all can’t get along
Between the question and the answer
there is a life time of space
between the dance and the dancer
there is beauty and there is grace
Everyone’s
got something to bring
affect one thing
affect one thing
Everyone’s
got something to bring
affect one thing
affect one thing.
It’s Open Link Weekend over at earthweal, so I thought I would re-post this one. Be sure to check out earthweal, always something interesting going on there!
irritable vowel syndrome
verbose intolerance
arrhythmia
pain in the assonance
acute enjambment
inflammation of the lower case
latinnittus
typographical dysfunction
fear of sonnets
halibunions
grammaroids
the irrational fear
that someone in the room
is going to recite a Robert Service poem.
The prompt from Bjorn over at dverse is “lists”, I thought I would add this one.
If it’s getting stormier
and it surely is
then we have to put a bit more work
into naming those storms
I mean to say, c’mon now,
Storm Dennis?
Dennis is a guy who wears cardigans
and washes his car every Sunday.
Margaret Thatcher’s husband
was called Dennis –
Storm Margaret
now there’s a storm,
a storm full of righteous certainty
levelling working class towns
circumnavigating domiciles of the rich.
How about Storm Boris
a tropical storm perhaps
full of hot air and bluster
a flatulent tail wind
or to switch professions and countries
Storm Janis
now there’s a storm to rip the roofs of houses
flatten whole trailer parks
transport cows to far off fields
or Storm Aretha
a storm that demands respect
sock it to me
anything but Dennis
side-parted, brilliantined, undershot Dennis.
It’s Open Link Weekend over at earthweal and editor in chief , Brendan, is feeling a little down in an eloquent, acerbic and humorous way, so head on over there, check out his post and link one of your poems.
Here’s one from 2018, which is surprisingly current and is either cheerful or depressing depending on your politics.
The Toddler King
1
5 am. in America
the toddler king
checks his Twitter feed
a five hundred pound ball
of carbohydrate and grease
rolls across the parking lot
of a big box store
assault rifles take stock
the second amendment
thinks about making amends
the founding fathers
find themselves wanting.
2
5 am. in America
the toddler king
checks his Twitter feed
in the empty parking lot
of a big box store
a plastic bag pirouettes
on the halitotic breeze
national monuments
fear for their lives
the adjectives – good, bad, great-
drop in value again
the toddler king
picks a fight with himself.
3
5 am. in America
the toddler king
checks his Twitter feed
an empty shopping cart
rolls across the parking lot
of a big box store
and wishes it was
a metaphor for something
rivers say goodbye
to their banks
the ocean
eyes the shore
the toddler king pardons
those great American dioxides
sulphur, nitric, carbon
they are quickly released.
He was a contrarian curmudgeon
from the town of High Dudgeon
an ersatz Hitchens
a Jordan Peterson lite
no god, no religion
a sower of division
but sometimes, yes, sometimes
he got things right.
Todd’s basement materialises
he sees the dark wood veneer panelling,
that tartan colonial sofa his uncle gave him,
the dark patch where his uncle rested his head
still glistening from the oil slick of his uncle’s hair,
in the corner, his wife is playing with an electrical cord.
“Don’t pull the cord, I’m not fully back yet!” Todd screams.
His wife’s voice comes back
a little garbled by the time lag
“I hope you’re going to clean up that damn dust this time”.
Todd returns to the present,
presents himself and sneezes into his sleeve
leaving a black smear on his plaid Mark’s Work Warehouse shirt.
Unknown ramifications
unforeseen outcomes,
that 21st century air
trapped in the time capsule
drops to a lower carbon dioxide concentration
as the capsule travels back in time
the surplus carbon dioxide
reverts to the original carbon
forming a black dust
which coats the inside of the capsule;
thing is, it’s a one way process
no one knows why
“You look like shit”, his wife says
“You look time-wasted, you look timed out,
what happened to your hair?”
Unknown ramifications
unforeseen outcomes
time travel messes with your hair
alters your DNA
deletes your vaccinations
the dangers of rushing a technology to market
too soon.
Todd’s wife grins
“I wasn’t really going to pull the cord”,
she hugs him, grinding slowly
“What did you bring back for me, this time?”
write long poems on short days
short poems on long days
you don’t need a drummer
but you do need rhythm
avoid melodrama
your head cannot explode all the time,
there is uncharted territory
between ecstasy and despair
look after your images
they should splash like cold water
on the reader’s face
observe, always observe.
In the café below
the locals talk about the old times
about Eve and the apple
about Paradise lost
about how all the bottles
washed up on the shore
carry the same message.
pelicans plummet into the bluebottle sea sting rays undulate
out on the coral reef
tiny organisms
fret about climate change
and that damn carbonic acid
I fink the pH is dropping, I really do
meanwhile, over in San Pedro
on the Redneck Riviera
hermetically sealed resorts
march north towards Mexico
and thin, blond soccer moms
mingle with sun-damaged matrons
dedicated to the preservation
of floral print muumuus.
in the café below, Bob Marley’s still jammin’.
This poem has had a few lives. Participating in open link over at earthweal. Head over and check out Brendan’s thought provoking and eloquent post .
In Issue #17, coming to a newsstand nowhere near you, we discuss..
The environment, it’s everywhere
Our environment correspondent, Jordan Shallowditch, is away on vacation so our celebrity watcher and gossip columnist, Simon Shallowpond is picking up the slack, he offers this twitter friendly poem:
Plastics? What Plastics?
no need to fret
no need to fuss
all is well
‘cos Kristen Bell’s
got a bamboo toothbrush.
Well done, Simon!
The Oscars
Our movie critic, Georgina Shallowglass, discusses the Oscars and asks the question: Why would anyone divorce Adam Driver?
Plus, she describes that epiphanic, that life-altering moment when she realised that Jane Austen didn’t write Little Women (it was those American accents).
Politics
It’s been a busy year so far in politics and our political correspondent, Jonathan Shallowpit, asks the controversial question: Did the founding fathers fuck it up?
..and if not, how come the semi-literate son of a billionaire, with bad hair and a genius for marketing dumb ideas could destroy the whole shebang , the whole house of cards by simply saying :” Nah, I’m not going to do that”.
Footnote
Jonathan, I’m afraid, will be leaving Vapid Magazine. A number of his co-workers have complained that he is making them think too much, resulting in headaches and a toxic working environment.
Vapid Magazine, home of all things vapid!
Participating in Open Link Night over at dverse , check them out!
Cyphers magazine has published two of my poems – “Ascension” and “Prairie”– in their Winter 2019/2020 issue. I am really pleased as always to be published in Cyphers and in particular this time as my poems appear on the same pages as a poem by Fred Johnston, a poet I have long admired.
…Jim Feeney
Cyphers is a Dublin based print only magazine which has been in existence since 1975. They publish poets from all over the world, both new and established and this issue features a number of translated poems.
solas in Gaelic
means light, solastalgia,
a longing for light
hidden under a bushel
at the end of a tunnel.
The challenge over at earthweal is to “Write a new poem on the theme of Solastalgia” which is “a form of emotional or existential distress caused by environmental change.”
Stopdraggingthepanda 